PANICKER + New Noise Magazine

"As with the rest of the Panicker stuff, the audio and dynamics are fairly destroyed, giving it a lo-fi-ness; the title comes somewhat out of that."

- Brent Asbury, PANICKER

Stream Asbury's lo-fi, high intensity creation, “Blasphony”, via New Noise Magazine, here.

Beginning with a music career in San Diego, which included playing drums, bass, keyboards, guitars, and sometimes dancing in several bands with Rob Crow (Thingy, Pinback, Goblin Cock, Optiganally Yours, etc.), as well as contributing to other projects like Aspects of Physics and Followers, doing a solo project called schlag-schlag, and having a career producing music for advertising, Brent Asbury has gained experience in many musical areas and genres. Later, he took up producing and engineering at his current studio in Portland, OR – anything over the years from The Locust to Michael Bolton. Of course, then, it might be hard to imagine what his own dissonant brainchild might sound like today. The answer is, surely, none of the above – or at least, unlike any one conventional category. Asbury describes Panicker as “blending aspects of EBM, industrial, techno, hip hop, and horror movie scores.”

Blasphony will be available digitally via Three One G Records on October 5th. Preorder here.

Blasphony EP:

1. Sticky Riot of Colors

2. Blasphony

3. Tall Satanists

4. Morning