Showing posts with label DEL JUDAS. Show all posts
Showing posts with label DEL JUDAS. Show all posts

Friday, March 15, 2024

Out today: DEL JUDAS - "Angela"


DEL JUDAS returns with new single "Angela"; country-goth enigma goes bigger, bolder, brighter on first new music in six years

Stream the official music video for new single "Angela," here: https://www.youtube.com/watch?v=JeVD2JhI3xU

The solo project of NYC musician Charlie Schmid, Del Judas melted hearts in 2018 with debut album Deity, a dark, cinematic slice of gothic Americana, released on Primal Architecture, the label owned by Josh Strawn of Azar Swan and Blacklist. Post-Punk.com called that album “the soundtrack to a lonely drive out west… lovingly giving nods to crooning melodies of Johnny Cash, Chris Isaak, Peter Murphy.Invisible Oranges stated: "Schmid’s voice is rendered in a Chris Isaak-like croon... a slow, nocturnal drive down the dark side of memory lane. 

Schmid is a graduate of the Aaron Copland School of Music, whose musical credits range from playing tympani in symphonies to churning out blastbeats in metal bands, but the launch of Del Judas in 2018 represented a reimagining of his most fundamental influences from childhood – icons of early rock n' roll and country, from Cash to Roy Orbison.

Officially released March 15th, new single “Angela” is the first new Del Judas music in six years. Where 2018's Deity album existed in a shadowy, post-punk realm, "Angela" sees a bigger, bolder, brighter version of Del Judas emerging. Schmid states: "I would characterize the new material as the outcome of a psychic rebirth. I’ve taken a lot of time to meditate and contemplate who I want to be as a person and as an artist since the release of my last record. I was in a dark place back then, which is why Deity was such a dark record. The upcoming material has some dark undertones of course, but ultimately reveals itself as more playful and revelatory."

Recorded by John Ried and mixed and mastered by Dustin Cicero, "Angela" is an instantly infectious track whose moody verses explode into an iconic chorus, calling to mind the wistful hooks of Dire Straits' heyday, among other things. “The song is about love and loss," says Schmid. "A snapshot in time from a summer spent upstate.”

New Noise Magazine reports: "While ‘Deity’ was a darker, atmospheric, post-punk affair, the new work from Del Judas is moving in a brighter direction. With the moody, bluesy style of Dire Straits on the verses and an almost power pop chorus, ‘Angela’ brings a sense of hope to the gloom."

Schmid reveals how his day job has helped guide the evolution of the Del Judas persona: "Now I sing professionally as a crooner for an entertainment company and play guitar and percussion for private events as well. That's how I earn my living. I feel that if it wasn’t for this shift in my career, I wouldn’t have transitioned into making the music I’m making now. I’m a firm believer that you end up sounding like who you’re surrounded by, and I can say with confidence that dressing up in a gold blazer and singing the shit out of Frank Sinatra has forged a new version of me."

A new full-length album is in the works now, promising to push even farther in this new direction. Schmid describes the new songs as "melodically dramatic, with overtones of country-western infused with the baroque pop excesses of the 1960s." 

Stay tuned for updates on the new album and Del Judas' next live performances.

Photo by Jaka Vinšek

Thursday, March 7, 2024

DEL JUDAS - "Angela"


DEL JUDAS: "country-goth" enigma announces new single "Angela"; first new music in six years

The solo project of NYC musician Charlie Schmid, Del Judas melted hearts in 2018 with his debut album, Deity, a dark, cinematic slice of gothic Americana, released on Primal Architecture, the label owned by Josh Strawn of Azar Swan and Blacklist.

Post-Punk.com called that album “the soundtrack to a lonely drive out west… lovingly giving nods to crooning melodies of Johnny Cash, Chris Isaak, Peter Murphy.”

Invisible Oranges stated: "Schmid’s voice is rendered in a Chris Isaak-like croon... A slow, nocturnal drive down the dark side of memory lane.

Coming Friday, March 15th, new single “Angela” is the first new Del Judas music in six years.

Schmid teases the following info: "I would characterize the new material as the outcome of a psychic rebirth... The upcoming material has some dark undertones of course, but ultimately reveals itself as more playful and revelatory. Now I sing professionally as a crooner for an entertainment company and play guitar and percussion for private events as well. That's how I earn my living. I can say with confidence that dressing up in a gold blazer and singing the shit out of Frank Sinatra has forged a new version of me."

This week, he appeared on the great Vinyl & Vision podcast, to discuss his return: https://www.psychicstatic.net/podcast/episode/1f3ea4e9/vandv-episode-115-charlie-schmiddel-judas-and-chris-isaaks-silvertone

Photo by Jaka Vinšek

Wednesday, July 25, 2018

DEL JUDAS x Statiqbloom + Revolver


Revolver Magazine has premiered Statiqbloom's remix of Del Judas' song, "Of Love and Death."


Del Judas is the "country-goth" persona of Brooklyn musician Charlie Schmid, previously known for his work as drummer for metal bands such as Tombs. Under the Del Judas guise, Schmid makes dark, romantic ballads that skirt the line between Americana and post-punk. Debut album Deity, containing the original version of "Of Love and Death," was released this month on Primal Architecture, the label owned by Josh Strawn of Azar Swan.


Statiqbloom's new remix pushes the Del Judas sound in an ominous, throbbing, industrial direction – as Revolver's Zoe Camp puts it, "reminiscent of Nine Inch Nails and Skinny Puppy by way of Chris Isaak and David Lynch." It is an exciting collaboration, crossing genre lines and resulting in a captivating new track. 


Listen here:

https://www.revolvermag.com/music/hear-statiqblooms-dark-industrial-remix-del-judas-new-goth-country-ballad

Buy Del Judas' debut album Deity, here:

https://deljudasprml.bandcamp.com/

"The soundtrack to a lonely drive out west, as the sun is pulled down by the fingertips of ghosts hitchhiking their way across the sprawling interstate... Lovingly giving nod to crooning melodies of Johnny Cash, Chris Isaak, Peter Murphy, with aural and aesthetic traces of the The Fields of the Nephilim."
–Post-Punk.com

"Schmid’s voice is rendered in a Chris Isaak-like croon, and the production has a hushed quality you might expect from someone making a record in a Brooklyn apartment surrounded by neighbors. By pulling you in close to his voice, Schmid also pulls you close to the darkness that lurks behind his words... A slow, nocturnal drive down the dark side of memory lane. While electric guitars swoon and fade like passing lights on the side of the highway, Schmid sings about seeking pleasure in the present to escape the pain of his past." 
–Invisible Oranges

"A spectral yet contemporary take on broodingly dark country... A sultry and vulnerable sensuality."
–Joy of Violent Movement


Photo of Del Judas, by Jaka Vinsek
Photo of Statiqbloom, by Katrin Albert

Friday, July 13, 2018

Out today: DEL JUDAS - Deity


Del Judas' debut album Deity is out today on Primal Architecture.

Listen and buy, here:
https://deljudasprml.bandcamp.com/

"Metal drummer goes solo, shocks everyone with a flawless, fully-realized, cowboy-goth alter-ego" is the headline here. Del Judas is the new solo incarnation of Brooklyn musician Charlie Schmid, known for his work as drummer of bands like Tombs and Vaura. Stepping out from behind the kit for the first time, Schmid brings a lifetime's worth of passion to these stellar songs – a dark, romantic, sinister sound that resides at the moonlit crossroads of country and post-punk, tipping the hat to Johnny Cash, Chris Isaak, Peter Murphy, and the films of David Lynch. Deity is a wondrous example of a metal musician successfully branching out to other genres and, context aside, the album stands on its own as an intensely atmospheric and memorable debut.

"This record is about the eternal interplay between the sex drive and the death drive, " says Schmid. "It’s about killing yourself, figuratively and literally. It’s about parts of yourself dying off as you go through different romantic relationships in your life and the rebirth that happens through both sensual pleasure and psychic growth."

The vocals and instruments on Deity were recorded entirely by Schmid in his apartment in Brooklyn. The album was mixed by Evan McCulloch and mastered by Colin Marston (Jarboe, Sannhet, Kayo Dot).

"The soundtrack to a lonely drive out west, as the sun is pulled down by the fingertips of ghosts hitchhiking their way across the sprawling interstate... Lovingly giving nod to crooning melodies of Johnny Cash, Chris Isaak, Peter Murphy, with aural and aesthetic traces of the The Fields of the Nephilim."
–Post-Punk.com

"Schmid’s voice is rendered in a Chris Isaak-like croon, and the production has a hushed quality you might expect from someone making a record in a Brooklyn apartment surrounded by neighbors. By pulling you in close to his voice, Schmid also pulls you close to the darkness that lurks behind his words... A slow, nocturnal drive down the dark side of memory lane. While electric guitars swoon and fade like passing lights on the side of the highway, Schmid sings about seeking pleasure in the present to escape the pain of his past." 
–Invisible Oranges

"A spectral yet contemporary take on broodingly dark country... A sultry and vulnerable sensuality."
–Joy of Violent Movement

Photo by Jaka Vinsek



Thursday, June 28, 2018

DEL JUDAS + Post-Punk


"Del Judas' haunting new single 'Of Love and Death' is the soundtrack to a lonely drive out west, as the sun is pulled down by the fingertips of ghosts hitchhiking their way across the sprawling interstate. The song wears its timeless influences on it’s sleeve—lovingly giving nod to crooning melodies of Johnny Cash, Chris Isaak, Peter Murphy, with aural and aesthetic traces of the The Fields of the Nephilim."
–Post-Punk.com

Del Judas has revealed new single "Of Love and Death" today via Post-Punk.com.

Listen, here:

http://www.post-punk.com/del-judas-wanders-into-deep-gothic-americana-with-of-love-and-death/

Del Judas is the new solo incarnation of Brooklyn musician Charlie Schmid, known for his work as a drummer in metal bands such as Tombs. Under the Del Judas name, Schmid launches an entirely new persona: singer, songwriter, and multi-instrumentalist. On debut album Deity, Del Judas' sound is dark, lush, and romantic, owning a space where ghostly Americana brushes up against post-punk. 

Debut album Deity will be released July 13th on Primal Architecture, the label owned by Josh Strawn of the bands Azar Swan and Vaura.


As Schmid tells it, "The project was inspired by growing up in a household that listened to country music – Johnny Cash, Patsy Cline, and Hank Williams. I fell in love with Silvertone by Chris Isaak when I was a kid. I always knew I could add to the genre and put my own stamp on this style, but didn't feel ready to step out from behind the drum kit until now."

Starting there, Schmid carries these country influences into the most shadowy realms, evoking moonlit desert highways and nefarious deeds. Schmid masterfully grasps the connective tissue between country and goth – his songs bear hints of the darkness, drama, and cool of icons like Peter Murphy, Fields of the Nephilim, and Billy Idol.

Schmid gives the following insight into the album's lyrics: "This record is about the eternal interplay between the sex drive and the death drive. It’s about killing yourself, figuratively and literally. It’s about parts of yourself dying off as you go through different romantic relationships in your life and the rebirth that happens through both sensual pleasure and psychic growth."

The vocals and instruments on Deity were recorded entirely by Schmid in his apartment in Brooklyn. The album was mixed by Evan McCulloch and mastered by Colin Marston (Jarboe, Sannhet, Kayo Dot).

Deity record release show, July 12 at Saint Vitus in Brooklyn:
https://www.facebook.com/events/240258949862809/

Photo of Del Judas, by Jaka Vinsek

Wednesday, May 30, 2018

DEL JUDAS - Deity


"Schmid’s voice is rendered in a Chris Isaak-like croon, and the production has a hushed quality you might expect from someone making a record in a Brooklyn apartment surrounded by neighbors. By pulling you in close to his voice, Schmid also pulls you close to the darkness that lurks behind his words... A slow, nocturnal drive down the dark side of memory lane. While electric guitars swoon and fade like passing lights on the side of the highway, Schmid sings about seeking pleasure in the present to escape the pain of his past." 
–Invisible Oranges

Del Judas announces debut album Deity, to be released July 13th on Primal Architecture.

Del Judas is the new solo incarnation of Brooklyn musician Charlie Schmid, known for his work as a drummer in bands such as Vaura and Tombs. Under the Del Judas name, Schmid launches an entirely new persona: singer, songwriter, and multi-instrumentalist. On debut album Deity, Del Judas' sound is dark, lush, and romantic, owning a space where ghostly Americana brushes up against post-punk. 

Stream "Through the Glass," featuring guest vocals by Zohra Atash of Azar Swan, here:

As Schmid tells it, "The project was inspired by growing up in a household that listened to country music – Johnny Cash, Patsy Cline, and Hank Williams. I fell in love with Silvertone by Chris Isaak when I was a kid. I always knew I could add to the genre and put my own stamp on this style, but didn't feel ready to step out from behind the drum kit until now."

Starting there, Schmid carries these country influences into the most shadowy realms, evoking moonlit desert highways and nefarious deeds. Schmid masterfully grasps the connective tissue between country and goth – his songs bear hints of the darkness, drama, and cool of icons like Peter Murphy, Fields of the Nephilim, and Billy Idol.

In the words of Primal Architecture label boss Josh Strawn, also a member of bands such as Azar Swan and Vaura, it could very well be "the soundtrack for a future David Lynch film."

Schmid gives the following insight into the album's lyrics: "This record is about the eternal interplay between the sex drive and the death drive. It’s about killing yourself, figuratively and literally. It’s about parts of yourself dying off as you go through different romantic relationships in your life and the rebirth that happens through both sensual pleasure and psychic growth."

The vocals and instruments on Deity were recorded entirely by Schmid in his apartment in Brooklyn. The album was mixed by Evan McCulloch and mastered by Colin Marston (Jarboe, Sannhet, Kayo Dot).

The cover art was created by Suren Karapetyan.

Tracklist:
1) Dancing with the Dead
2) The Desert Speaks
3) Touching Fire
4) Through the Glass (feat. Zohra Atash of Azar Swan)
5) Of Love and Death
6) Deity
7) Lonely Hearted
8) Little White Churches

Deity record release show, July 12 at Saint Vitus in Brooklyn:

Photo of Del Judas, by Jaka Vinsek