Friday, June 19, 2026

Out today: KILTER - Ten Billion Years


Ten Billion Years, the new album by Kilter, is out today on Excursus Production.

Based in Paris and New York, Kilter’s highly experimental music exists in a space between John Coltrane, Sunn O))), and Meshuggah. The new album, Ten Billion Years, is a musical rendering of nothing less than the birth and death of our solar system. Using bass, drums, and sax, Kilter trace the journey of one water droplet as it travels and transforms through space and time. Inspired in part by John Cage’s explorations in time-stretching, the trio’s process was to record 10 minutes of music, slow it down to 25% of its original speed, then recreate the pieces from scratch at the new, glacial tempo – a process of reinterpretation and rediscovery they liken to the way in which entire new worlds are revealed when looking through a microscope. 

• Stream the album's first single here: https://www.decibelmagazine.com/2026/04/08/video-premiere-kilter-weather-cycle/

• Stream "Inside Kilter's Ten Billion Years," a 15-minute documentary about the making of the album, here: https://www.youtube.com/watch?v=reM6AEwJrx0

• Read more about the album, here: https://thechainworld.blogspot.com/2026/04/kilter-ten-billion-years.html

"[Kilter] bend jazz elasticity and metal force into something far stranger ... The trio as a whole channels something that sits somewhere between the spiritual intensity of John Coltrane, the tectonic weight of Sunn O))) and the precision violence of Meshuggah."
–Decibel

"Kilter’s fusion of jazz and metal feels both organic and exploratory, balancing experimental ambition with emotional depth. It’s this natural sense of atmosphere and fearless musical curiosity that gives the trio such a distinct and compelling identity."
–Destroy//Exist

"Across ten instrumental compositions, the trio explores cycles of creation, transformation, and decay, translating vast geological and astronomical processes into a musical language that is both physical and immersive ... A sonic environment that moves between ominous drones, crushing heaviness, fluid improvisation, and moments of startling clarity ... Musical ideas expand and contract, microscopic details become monumental structures, and recurring motifs evolve like natural systems unfolding over immense spans of time."
–Echoes and Dust

"Paris/New York-based avant-garde metal/jazz trio KILTER invoke a journey through temporal eternity on this latest album, an experiment which expands a dense ten-part 10 minute arrangement into a ~40 minute drone ... If you can wrap your head around the modus, no doubt you’ll appreciate the speaker warbling combination of drone and metal-jazz they’ve created here, heady travels through unreal climes."
–Mystification

"Kilter know a thing or two about being unique seeing as no one in the metal space is doing jazz and metal as well as they’ve done it, and I can say are continuing to do it. [Ten Billion Years] expands on their world class musicianship in fresh ways as they, very cinematically, play with tension, builds and expressions, and ultimately immensely huge payoffs."
–Nine Circles

"A concept piece about the birth and death of the solar system, culling musical influence equally from jazz and experimental metal."
–Scene Point Blank

"If your tastes in music are liberal and erudite enough to encompass Khanate and Yakuza, you are living in sin with each passing moment you fail to avail yourself to Kilter."
–The Bad Penny

"A grand, instrumental deep-dive into the birth, life, and inevitable death of our solar system. Described as a true labor of love that took over two years to create, it features heavy dynamic contrasts and spontaneous avant-garde compositions."
–Tinnitist

"Fun jazzy shit."
–Toilet ov Hell

"There is a grandeur to the songs, with instrumental parts that are both powerful and dynamic ... This promises to be one of the most unique listening experiences you will have this year."
–V13

Tuesday, June 16, 2026

BODY STUFF - Body Stuff 5


BODY STUFF announces sophomore album Body Stuff 5; "Sacrifice" single streaming now

From New York City, Body Stuff announces the October 16th release of sophomore full-length album Body Stuff 5.

Stream the official music video for the album's first single, "Sacrifice," here: https://www.decibelmagazine.com/2026/06/16/video-premiere-body-stuff-sacrifice/

The solo project of NYC artist Curran Reynolds, Body Stuff summons a strange vision of cathartic rock music, bolstered with metallic power and cloaked in a dreamlike haze. At times, yearning, at times, euphoric, Body Stuff seems to encompass the extremes of NYC, from the sewer to the skyscraper. “Like a hardcore Bruce Springsteen,” read a review in The Wire Magazine in 2023. “Springsteen fully embracing his Suicide influence,” was Stereogum’s take on it. Reynolds opts to call it, simply, “hard rock.”

Sophomore album Body Stuff 5 brings the project to new depths and heights. Eight anthemic songs hum with longing and triumph. Big, slamming drum beats, seemingly echoing the boomboxes of NYC summers past, are peppered with storms of double-bass. Guitars, performed by Reynolds’ friend Andee Blacksugar (Blondie), ravage and glisten, transmitting from a place where hair metal and post-punk converge.

Recent live videos show Reynolds prowling the stage, headbanging, delivering his words with full-body conviction. His autobiographical lyrics explore the pain of existence, referencing haunting memories culled from more than a quarter-century of life in NYC – the isolation, the dangers of the street, the violent deaths of friends – but often land in a place of gratitude. The sincere and uplifting slant of Reynolds’ lyrics is one of the many factors separating Body Stuff from the pack. “Sacrifice, sacrifice, sacrifice, sacrifice for love,” he pleads at the end of the album’s first single, “Sacrifice.”

Body Stuff is a project originating deep within the heart of its creator and occupying its own unique space. Yet, Reynolds’s hope is to unite, not divide: “My intention is to continue making the most authentic art I can. This is how we make the world a better place.” A writer, visual artist, and musician since childhood, he has been creating since the 1980s. “My first concert was Tina Turner,” he reminisces. “I was 10 years old. That was a crucial experience. The look, the sound, the performance.”

Reynolds left his small town Maine home for NYC at age 17. In his early days in the city, he chased cheap rents across the East Village, Lower East Side, and Williamsburg, and entrenched himself in music, art, and nightlife. With no money and no connections, he clawed his way up, getting his record reviews published in the nascent Vice Magazine and landing a dream job at Earache Records where he served as the publicist for death metal legends Morbid Angel and Deicide. He went on to assist on photo shoots with some of the world’s biggest fashion photographers, then worked in the sculpture studio of one of his favorite artists, Matthew Barney. He founded Precious Metal, a weekly series of live music that earned the title of “Best Metal Party” in The Village Voice. He joined one of his favorite bands, cult hero Steve Austin’s Today Is The Day, as a drummer and toured the world. 

It was against this backdrop that Body Stuff first emerged. After more than a decade spent grinding away on various creative fronts in NYC, the idea to recreate himself as a solo artist took shape in Reynolds’s mind. The first Body Stuff EP, recorded between 2011 and 2012, is a thing of raw, awkward beauty. Minimalistic, metallic rock songs, propelled by a pounding drum machine, are crowned by ravishing hooks and ghostly interludes. “Making music that was entirely my own, for the very first time, it’s like I was reconnecting with the 10-year-old me and working from that pure, instinctual, ecstatic place,” he explains. “I was expressing myself in a way where I was completely vulnerable and I found power in that.” 

The Body Stuff sound and vision grew steadily more elaborate from there, whilst holding true to the spirit of the early material. By the time the debut full-length, Body Stuff 4, dropped in 2023, Reynolds was able to get “I Think We’re Alone Now” pop star Tiffany to contribute guest vocals to one song and Xiu Xiu’s Jamie Stewart to remix a track. He meanwhile developed Body Stuff into a full-fledged live act, appearing on bills around NYC with the likes of Martin Rev, Godflesh, and Uniform. 

His greatest work to date, Body Stuff 5 was engineered and mixed by longtime collaborator Ryan Jones and mastered by the iconic Ted Jensen (Madonna, Metallica). The album will be released via The Chain, the multi-faceted company founded by Reynolds in 2016 with partners Justin Pearson (Three One G Records, The Locust, Deaf Club) and Brandon Gallagher (Trace Amount).

Tracklist:
1) Eternal Hurricane
2) Death Song
3) The World Is Yours
4) Hysteria
5) Ancient Rhythms
6) Seventeen
7) Cry
8) Sacrifice

Lineup:
Curran Reynolds - vocals, synth, drum programming 
Andee Blacksugar - guitar 
Ryan Jones - bass, guitar
Lauren King - vocals on “The World Is Yours” 

Production:
Ryan Jones - engineering, mixing
Ted Jensen - mastering

Links: 

Cover art by Matt Kepler

Photo by Paul Roura

Friday, June 5, 2026

CATERWAUL tonight!



CATERWAUL: "noisiest festival in town" kicks off tonight in Minneapolis with The Crosses (Die Kreuzen), Didjits, Mike Watt, more

Caterwaul kicks off tonight, Friday, June 5th at Zhora Darling in Minneapolis, and runs through Sunday, June 7th. This year's stellar lineup is stacked with iconoclasts of old and new, with tonight's bill featuring The Crosses (member of Die Kreuzen), Didjits, and the iconic Mike Watt.

Minneapolis news outlet Racket calls it "the noisiest festival in town" and New Noise Magazine calls it a meeting of "the best underground rock bands."

Adding another dimension to this year's festival, Caterwaul co-founder Rainer Fronz underwent a successful heart transplant last weekend and is currently recovering at University of Minnesota Medical Center.

Buy Caterwaul tickets here: https://ticketstripe.com/caterwaul2026

Support Rainer Fronz here: https://www.gofundme.com/f/help-me-through-this-heart-transplant

–––

"The annual Caterwaul ... A very highly regarded presentation of underground music."
–Getting It Out Podcast

"Caterwaul 2026, the fifth edition of an event that’s quietly become one of the most stubbornly off-grid rock festivals in the US ... The room has gotten bigger, the booking sharper, and this year leans further into mixing genre-bending newer artists with names from underground rock’s deeper bench."
–Idioteq

"Caterwaul will return to Minneapolis for its fifth edition June 5th-7th, 2026 at Zhora Darling. Founded in 2020, the festival has positioned itself as a yearly showcase for the noisier fringes of rock."
–Lambgoat

"Caterwaul is returning for its fifth installment this year, taking place June 5-7 at Zhora Darling in Minneapolis. Once again, this year’s event brings together the best underground rock bands going, including Mike Watt, Rye Coalition, Dazzling Killmen, Didjits, Stress Positions ..."
–New Noise

"The noisiest festival in town returns, and this year all three days will take place at Zhora Darling. Big names in 2026 include punk stalwart Mike Watt and his band the Missingmen, Jersey screamo pioneers Rye Coalition, and the brutally mathy Dazzling Killmen."
–Racket

"Caterwaul returns to defiant Minneapolis, MN in 2026, taking place June 5-7, 2026 at Zhora Darling this year. 2026 marks the festival's fifth iteration."
–Scene Point Blank

"For its fifth annual run, the three-day noise-rock/avant-garde festival once proudly described as a 'gathering of the weirdos' is moving to a new location in lieu of its old base, Palmer’s Bar. It also boasts a few of its biggest names yet; not that it’s ever been about big names."
–Star Tribune


"Caterwaul is an exceptional festival that leans toward noise rock and punk rock ... Incredible bills, all three days of the weekend."
–Vinyl & Vision Podcast

"If you are not aware, Caterwaul is a DIY music event bringing together all kinds of fantastic bands ... If you are a fan of creative, noisy, fearless, underground, DIY music, this is a place to go to, where I am sure you will find many like-minded individuals."
–Whatever Comes Next Podcast


–––

Friday, June 5:

01:15 am - The Crosses
12:15 am - Didjits
11:15 pm - Mike Watt + The Missingmen
10:30 pm - Season to Risk
09:45 pm - New Brutalism
09:00 pm - Resurrectionists
08:15 pm - Birdhands
07:30 pm - Mad Mojo Jett

Saturday, June 6:

After Party:
12:30 am - Muscle
11:45 pm - ¿Watches?
11:00 pm - The Thirsty Giants
10:15 pm - Art Star

09:00 pm - Rye Coalition
08:05 pm - Great Falls
07:20 pm - Whippets
06:35 pm - Heet Deth
05:50 pm - Panel
05:05 pm - Orlock
04:20 pm - The Hammer Party
03:35 pm - Burned or Buried
02:50 pm - Bone Bag
02:05 pm - H.E.A.T.

Sunday, June 7:

08:00 pm - Dazzling Killmen
07:10 pm - Point Line Plane
06:25 pm - Body Stuff
05:40 pm - Bronson Arm
04:55 pm - Stress Positions
04:10 pm - Buio Omega
03:25 pm - We Are the Asteroid
02:40 pm - Cani Sciorri
02:05 pm - Baby Gurl
01:20 pm - Flesh Narc
12:35 pm - Battery Eyes

Posters by Aesthetic Apparatus

Friday, May 29, 2026

CATERWAUL: one week away


CATERWAUL: 2026 festival kicks off June 5th in Minneapolis

One week from today, the fifth installment of Caterwaul is set to ignite. The annual festival, celebrating a diverse array of artists from the noisiest fringes of rock, kicks off Friday, June 5th at Zhora Darling in Minneapolis and runs through Sunday, June 7th. This year's stellar lineup is stacked with iconoclasts of old and new, from Dazzling Killmen and Rye Coalition, to Stress Positions and Muscle.

Caterwaul has been hailed by BrooklynVegan as "a unique mix of noise rock, punk, metal, post-punk and beyond" and by New Noise as "a gathering of some of the best underground bands existing today."

Co-founder Rainer Fronz, who organizes Caterwaul alongside Conan Neutron and Melanie Thomas, gave this statement to New Noise in a recent interview, reflecting on the communal vibe that makes the fest special: "It has a DIY spirit and a grassroots feel. You’re part of it when you’re there. You’re not just a dollar sign or an influencer."

Buy tickets here: https://www.caterwaul.org/

Friday, June 5:

01:15 am - The Crosses
12:15 am - Didjits
11:15 pm - Mike Watt + The Missingmen
10:30 pm - Season to Risk
09:45 pm - New Brutalism
09:00 pm - Resurrectionists
08:15 pm - Birdhands
07:30 pm - Mad Mojo Jett

Saturday, June 6:

After Party:
12:30 am - Muscle
11:45 pm - ¿Watches?
11:00 pm - The Thirsty Giants
10:15 pm - Art Star

09:00 pm - Rye Coalition
08:05 pm - Great Falls
07:20 pm - Whippets
06:35 pm - Heet Deth
05:50 pm - Panel
05:05 pm - Orlock
04:20 pm - The Hammer Party
03:35 pm - Burned or Buried
02:50 pm - Bone Bag
02:05 pm - H.E.A.T.

Sunday, June 7:

08:00 pm - Dazzling Killmen
07:10 pm - Point Line Plane
06:25 pm - Body Stuff
05:40 pm - Bronson Arm
04:55 pm - Stress Positions
04:10 pm - Buio Omega
03:25 pm - We Are the Asteroid
02:40 pm - Cani Sciorri
02:05 pm - Baby Gurl
01:20 pm - Flesh Narc
12:35 pm - Battery Eyes

Poster by Aesthetic Apparatus

Thursday, May 28, 2026

CHAINLINKS 067: Rye Coalition

Chainlinks is a series we started back in 2017 to give our friends a space to share the stuff currently inspiring them — music, film, books, or anything else they wanted to recommend to the world.

For Chainlinks 067, we have three members of Rye Coalition: vocalist Ralph Cuseglio, drummer Gregg Leto, and bassist Dave Leto.

Hailing from Jersey City, New Jersey, the shapeshifting Rye Coalition stormed the scene in the '90s as a scrappy, sassy post-hardcore outfit, in league with the likes of Drive Like Jehu and Nation of Ulysses. The new millennium saw the band lean heavily into its classic rock and hard rock influences. Despite the playfulness of song titles such as "ZZ Topless," "Paradise by the Marlboro Light" and "Between I-Roc and a Hard Place," the transformed Rye Coalition of the early '00s rocked with power and conviction, finding a producer and champion in Dave Grohl, and landing tours with Foo Fighters, Queens of the Stone Age, and The Mars Volta. 

After two decades spent mostly out of the spotlight, the band will descend upon Minneapolis for the weekend of June 5-7, 2026 to play the fifth installment of Caterwaul, the annual festival celebrating all the noisiest, most iconoclastic fringes of rock. Blast Rye Coalition here, get your Caterwaul tickets here, and enjoy Chainlinks 067...


Ralph Cuseglio, Rye Coalition:

Jackie Rogers Jr. 

A flamboyant albino lounge singer played by Martin Short on the Canadian sketch comedy show SCTV and Saturday Night Live. I’ve loved this character since I was kid. One of the greatest sketch comedy characters of all time, hands down. Amazing outfits, laugh, wit and writing. Completely absurd (which is right up my alley). Still makes me laugh every time.

Half Man (2026)

An HBO miniseries by writer and actor Richard Gadd. It is an interesting commentary on masculinity and the question, “what does it mean to be a man?”. The series is about dichotomic yet symbiotic relationship between two stepbrothers growing up in Glasgow, Scotland, the pain they cause themselves and each other, as they wrestle with their respective identities in the shadow of childhood trauma.

This Is Water

A graduation commencement speech delivered by David Foster Wallace. You can hear a recording of the speech on YouTube and find it in print too. I’ve always thought about the speech as a mediation on the importance of what we spend our days thinking about, resisting our natural self-centered urges, and consciously choosing to step outside of our limited perspectives to be more connected and empathetic. All of which is much harder than it seems (and I’m making it sound). Just listen to the speech.

Teenagers playing live music (especially rock) 

There is something about seeing this, whenever and wherever it is, that makes me happy. The band doesn’t have to be particularly good (and they usually aren’t). But, seeing the excitement, pride, and joy (and sometimes terror) each kid is experiencing, is what playing music is all about. The feeling of playing in front of an audience for the first time can be magical. I remember that feeling. It all being so new. While playing live music is still fulfilling, the novelty of the playing live for the first time (or in the beginning stage) is something special. I feel lucky when I witness it. And it’s always immediately recognizable.

Gregg Leto, 
Rye Coalition:

The Congos, Heart of the Congos

One album I can’t stop returning to, over and over again, and consistently recommend, even to people who are not necessarily into reggae/dub. Such an otherworldly record on so many levels. Nothing else quite like it. Luckily, my 16-year-old son has become deeply into the album as well, so listening to it with him has been like hearing it again for the first time. Love geeking out on music with that kid.

Dave Leto, 
Rye Coalition:

A$AP Rocky, Don’t Be Dumb
 
It’s the album Kanye (if he wasn’t living with mental illness) should have made. The art, music, videos, clothing, and live performances, and having it scored by Danny Elfman, all have this really fresh approach to hip hop which is more punk rock. Sounds that never had a place in hip hop are now being explored. This album made "newer” hip hop interesting to me again.


Just an amazing inside look at professional bowling which is nowhere near the glamour that the top athletes in other sports have. It not only makes you care about these athletes, but you also learn about the whole history of bowling and how lanes are oiled to ensure that bowlers can’t just go anywhere and bowl perfect games. It’s super nerdy, but you watch an episode and you’re hooked.



Wednesday, May 27, 2026

CHAINLINKS 066: Stress Positions

Chainlinks is a series we started back in 2017 to give our friends a space to share the stuff currently inspiring them — music, film, books, or anything else they wanted to recommend to the world.

For Chainlinks 066, we have Stephanie Brooks, vocalist of Stress Positions. With releases on Three One G Records, the band has been described by Post-Trash as "a band as brutal and raw as it is sociopolitically conscious and steadfast in unrelenting conviction" and by Chicago Reader as "cuttingly precise despite its blistering speed and colossal sound."

Stress Positions are among the many great bands descending upon Minneapolis for the weekend of June 5-7, 2026 to play the fifth installment of Caterwaul, the annual festival celebrating all the noisiest, most iconoclastic fringes of rock. Blast Stress Positions here, get your Caterwaul tickets here, and enjoy Chainlinks 066...


1) Call Her Ganda

This documentary is important, painful, and moving. Jennifer Laude’s story is unfortunately just one of so many cases of abuses of women in the Philippines perpetrated by overseas military personnel.

2) Minnie Riperton

I’ve just been listening to her on repeat. Her voice is so insanely impressive. “Perfect Angel” is a perfect album for warm weather.

3) Free Roku Live TV Channels

I’m really obsessed with channel flipping. Something about starting a movie halfway through and trying to discern the plot tickles my brain in a way few nostalgia chasing activities do. There’s this channel called “Stingray Cityscapes” that just shows aerial views of cities from around the world with downtempo jazz playing behind it. It rules.



Tuesday, May 26, 2026

CHAINLINKS 065: Dazzling Killmen

Chainlinks is a series we started back in 2017 to give our friends a space to share the stuff currently inspiring them — music, film, books, or anything else they wanted to recommend to the world.

For Chainlinks 065, we have Nick Sakes, founder, vocalist, and guitarist of Dazzling Killmen. Decibel Magazine reports: "Dazzling Killmen are among the most fearless and inventive bands of the early ’90s. The once-overlooked group is a major inspiration for a raft of bands that built on their combination of emotion and melodicism, among them Dillinger Escape Plan, Coalesce, Converge, and many more."

Dazzling Killmen are among the many great bands descending upon Minneapolis for the weekend of June 5-7, 2026, to play the fifth installment of Caterwaul, the annual festival celebrating all the noisiest, most iconoclastic fringes of rock. Blast Dazzling Killmen here, get your Caterwaul tickets here, and enjoy Chainlinks 065...


1. Joshua Tree / Mojave Desert

Having never been to the Mojave Desert, seeing this otherworldly landscape absolutely blew my mind. Photos and videos cannot convey the alien feel of this place.

2. Redwood Trees / Massive Mountainous Landscapes

Being in a state of total awe for the hours we drove in Northern California on our day off on the recent West Coast tour was unforgettable. Being dwarfed by nature is one of my all-time favorite states of mind. Highlight: Drive-Through Tree Park in Leggett, CA.

3. Semi-retirement from TradWork Office Space

I turned 62 years old last December right after triple bypass heart surgery and a couple of months later got laid off from my office job as an architectural designer. I decided to start drawing my social security money, taking unemployment and scheduling as many Dazzling Killmen shows as possible and just entering a new lifestyle, albeit a little leaner moneywise. Semi-retired semi-pro musician now.

4. Mississippi Studios, Portland, Oregon

Hands-down, the best venue I’ve ever played... the people running the place, the look of a small Vaudeville theater, that separate restaurant and bar next door, just WOW. A+++



Friday, May 22, 2026

KILTER - "Awakening & Living"


KILTER: Paris/NYC jazz-metal explorers drop second single from "Ten Billion Years" album
 
"Awakening & Living," the new single by Kilter, is out today. The track is the second single from Ten Billion Years, the Paris/NYC trio's upcoming new album, coming June 19th on Excursus Production.

Stream the official music video, here: https://www.youtube.com/watch?v=o5RNSIPkwkE

Pre-order the album, here: https://kiltertrio.bandcamp.com/album/ten-billion-years-ten

Kilter’s highly experimental jazz-metal exists in a space between John Coltrane, Sunn O))), and Meshuggah. Drummer Kenny Grohowksi is known for his work with John Zorn, Secret Chiefs 3, and Imperial Triumphant.

The upcoming new album, Ten Billion Years, is a musical rendering of nothing less than the birth and death of our solar system. Inspired in part by John Cage’s explorations in time-stretching, the trio’s process was to record 10 minutes of music, slow it down to 25% of its original speed, then recreate the pieces from scratch at the new, glacial tempo – a process of reinterpretation and rediscovery they liken to the way in which entire new worlds are revealed when looking through a microscope.

A recent Decibel Magazine article states: “It’s an ambitious premise, but Kilter approaches it with precision rather than spectacle, building tension through repetition, instability, and gradual transformation.” Decibel describes Kilter's sound as “lurching low-end grooves and explosive, blast-driven peaks… vast, disorienting and strangely physical.”

New single "Awakening & Living" depicts the stage in the Earth's evolution where life moves from ocean to land. The track is a moody waltz laced with beautiful sax work and ending in cinematic vocals courtesy of Grohowski.

Stream "Inside Kilter's Ten Billion Years," a 15-minute documentary about the making of the album, here: https://www.youtube.com/watch?v=reM6AEwJrx0

Photo by Malena Marquez



Thursday, May 21, 2026

CHAINLINKS 064: Muscle

Chainlinks is a series we started back in 2017 to give our friends a space to share the stuff currently inspiring them — music, film, books, or anything else they wanted to recommend to the world.

With the fifth edition of the glorious Caterwaul festival coming up on June 5-7 in Minneapolis, we'll be passing the mic to Caterwaul artists over the next couple weeks. Kicking things off, we have none other than Baltimore noise-punks Muscle. A recent No Echo article describes the band as "a jagged, unpredictable listen—hardcore-adjacent but constantly veering into stranger, more unstable territory."

Crank Muscle's latest album, get your tickets to Caterwaul, and enjoy Chainlinks 064...


Road House (1989) 

The concept of being the best bouncer in the world alone is reason to watch. “Pain don’t hurt.” 


Neil Young is a gas station attendant at the end of the world and DEVO works at the local nuclear power plant. It’s sort of a narrative until it switches to them all covering "Hey Hey My My" and then shows footage of DEVO playing "Come Back Johnny" and Neil gettin' in the pit.


It’s our pre-show pump up song. Sophie forever <3

Big crazy stone sculptures you can touch. We all got in one at Storm King recently. Sculpting a butt at the height of his fine art career.


Tuesday, May 5, 2026

KILTER - Inside Kilter's Ten Billion Years


KILTER: jazz-metal mavericks release "Inside Kilter's Ten Billion Years" mini-doc

With the new Kilter album, Ten Billion Years, coming June 19th, the Paris/NYC trio has released "Inside Kilter's Ten Billion Years," a 15-minute mini-doc revealing behind-the-scenes footage from the album's recording process as well as interviews with all three band members – bassist Laurent David, saxophonist Ed Rosenberg III, and drummer Kenny Grohowksi, known for his work with John Zorn, Secret Chiefs 3, and Imperial Triumphant.

Kilter's highly experimental jazz-metal exists in a space between John Coltrane, Sunn O))), and Meshuggah. The new album, Ten Billion Years, is a musical rendering of nothing less than the birth and death of our solar system; it traces the journey of one water droplet as it travels and transforms through space and time. 

A recent Decibel Magazine article states: "It’s an ambitious premise, but Kilter approaches it with precision rather than spectacle, building tension through repetition, instability, and gradual transformation."

"Inside Kilter's Ten Billion Years" highlights the chemistry between David, Rosenberg, and Grohowski as they work together in the studio to realize this extremely challenging project. Inspired in part by John Cage's explorations in time-stretching, the trio's process was to record 10 minutes of music, slow it down to 25% of its original speed, then recreate the pieces from scratch at the new, glacial tempo – a process of reinterpretation and rediscovery which Rosenberg likens to the way in which entire new worlds are revealed when looking through a microscope.

In Decibel's words: "The Franco-American trio bend jazz elasticity and metal force into something far stranger... music that doesn’t just describe transformation, but enacts it in real time."

Stream the "Inside Kilter's Ten Billion Years" mini-doc here: https://www.youtube.com/watch?v=reM6AEwJrx0

Pre-order the Ten Billion Years album here: https://kiltertrio.bandcamp.com/album/ten-billion-years

More info: https://thechainworld.blogspot.com/2026/04/kilter-ten-billion-years.html

Photo by Malena Marquez