Friday, June 24, 2022

CLOUD RAT - Threshold


CLOUD RAT: new album "Threshold" to be released on Artoffact Records; first single "Cusp" now streaming

Artoffact Records
announces the October 7th release of Threshold, the new full-length album by Cloud Rat.

Pre-order Threshold, here:
https://cloudrat.bandcamp.com/album/threshold
 
Stream the album's first single, "Cusp," here:
https://open.spotify.com/album/1ScsurWyEHcEajRxj9OGvv

With more than twenty releases under its belt – a treasure trove of albums, EPs, splits, and seven-inches, released since 2010 – Cloud Rat is a singular force in the extreme music scene, creating a legacy of crucial work by way of pure catharsis.

Cloud Rat's every move is executed with intensity; every note is delivered with conviction. Cloud Rat is the sound of three humans pushed to the edge – the threshold – and giving one hundred percent of themselves to the present moment.

Cloud Rat has been labelled a "grindcore" band, but the prolific Michigan trio is so much more. 
Cloud Rat's only rule is realness. Within its punishing songs, the band glides freely through a range of musical forms; underneath its full-throttle grind swirls a Lake Superior of emotion. Vocalist Madison Marshall's gut-purging screams and drummer Brandon Hill's hyperactive hammering meld with guitarist Rorik Brooks' kaleidoscope of epic riffs and occasional synths, into songs that are equally wild-eyed, bone-crushing, and heartbreaking.

A review from Kerrang! Magazine 
of 2019's Pollinator album reads: "Their music is inexhaustible, spasming through elaborate rackets of heaving riffs, spit-flecked vocals, and berserk percussion without ever slowing down. At the same time, there’s an atmospheric creep to their music that gives it a hard menace."

Guitarist Rorik Brooks believes new album Threshold to be the pinnacle of his band's career thus far, unifying its liberated approach into one cohesive thrust: "To me, Threshold feels like a response to all of our earlier material. I think we finally have a successful distillation of all our seemingly disparate influences, into what I feel is our best work so far. It builds upon earlier Cloud Rat material with expanded songwriting, technical prowess, and overall intensity, while more organically incorporating the melodic and electronic leanings that we've been exploring over the years." 


Threshold was engineered and mixed by Brooks at his home studio and mastered by Harris Newman. 

Discussing the significance of the album title, Brooks states:"I like the idea that Threshold can mean both a boundary that can't be crossed or a maximum point, or a gateway that can be entered." 

Vocalist Madison Marshall concurs: "Threshold is the brink. Like, in open water, you can't come up for air, and after trying to get to the surface you feel weightless because it feels so much better to stop trying to get air. It feels better to sink."  

"Threshold represents the full culmination of years of struggle, frustration and anguish," states drummer Brandon Hill. "The brink."

Tracklist:
1) Aluminum Branches
2) The Color of a Dog
3) Inner Controller (Lucid Running Home)
4) Cusp
5) 12-22-09
6) Listening Ear
7) Shepherd
8) Imaging Order
9) Persocom
10) Porcelain Boat
11) Kaleidoscope
12) Ribbon Boat
13) Corset
14) Ursitory
15) Babahaz

Lineup:
Madison Marshall - vocals
Rorik Brooks - guitar, keyboards
Brandon Hill - drums, modular synths, keyboards, viola, noise

Photo by Luke Mouradian

Cover art by Jacob van Loon

Friday, June 10, 2022

KEN mode - NULL


KEN mode: new album "NULL" to be released via Artoffact Records; new single "A Love Letter" streaming now; Revolver premieres music video

Artoffact Records proudly announces the September 23rd release of NULL, the new album by KEN mode.

Stream the official music video for the album's first single, "A Love Letter," here:

Stream the single, here:
https://kenmode.bandcamp.com/track/a-love-letter
https://open.spotify.com/album/0I8Yv6gRPKHeRZzBIB2mXf
https://itunes.apple.com/album/id/1622643191


Pre-order the album, here:
https://kenmode.bandcamp.com/album/null

Recorded and mixed by Andrew Schneider (Cave In, Unsane), NULL is KEN mode's eighth full-length album. The follow-up to 2018's acclaimed Loved, it is the band's first release for Artoffact.

Frontman Jesse Matthewson proclaims NULL to be "a direct psychological reaction to the collective experience of the last two and a half years... 
a documentation of trying to not fall apart." In Matthewson's words, "the album exposes the emotional core of combating mental illness when one’s fine-tuned coping mechanisms have been involuntarily stripped away.

As the COVID pandemic threatened the essential, stabilizing forces in his life – including the ability to create, tour, and connect with the world, via KEN mode – Matthewson says he sunk to new depths. "I've built my adult life around communities and activities that have both given it meaning and helped me manage my own mental health," he states. "In 1999 I didn't know why I needed to create, I just wanted to. In 2022, it's one of the only acts I have left that keeps away crippling depression. I need this act to concentrate and neutralize the poison in my brain."

From the pitch black of the pandemic came a sliver of light. With his means of fulfillment and survival in jeopardy, Matthewson was instilled with a newfound urgency to make the most authentic and courageous art possible. New album NULL is the result. "We tried to experiment more with our sound than we ever have before. We felt like there was really no reason to do anything at all unless we were trying to push this into something new."

NULL is the first KEN mode release to feature collaborator Kathryn Kerr as a full-fledged member of the band. With Kerr on saxophone, synth, piano, percussion, and backing vocals, the album features a new palette of No Wave and industrial-tinged sounds, infiltrating some of its tracks. The band's well-honed attack – 
"defined by the Venn diagram of adventurous hardcore (Converge, Deadguy) and noise-rock (Today Is the Day, Brainbombs)," as a Revolver write-up once put it – is strengthened now by shades of Swans and Einsturzende Neubauten. 

First single "A Love Letter" bursts out of the gate with Kerr's discordant sax wailing over the machine-like walloping of Matthewson, his brother Shane Matthewson on drums, and longtime bassist Skot Hamilton. Not unlike John Zorn collaborating with Napalm Death, the sour synergy of the contrasting elements results in a song that writhes and screams with wild-eyed desperation. "Something is broken, something is fucked," goes the refrain.
 
More than 20 years deep now, founded in 1999 by the Matthewson brothers, KEN mode has come to define the intensity and dedication inherent in its name – an acronym for "Kill Everyone Now," coined by Henry Rollins to describe Black Flag's approach to performance. Past KEN mode tourmates include Russian Circles, Torche, Deafheaven, Full of Hell, and many morePast releases include seven full-length albums and one EP, produced by the likes of Steve Albini, Kurt Ballou, and Matt Bayles. NULL sees this warhorse of a band emerge from the darkest of times with new energy, ready to carry on into its next chapter, ready to evolve into its next form.

NULL is the first part of what Matthewson describes as a two-album arc, with the second part coming soon, also on Artoffact: "The two album arc was written with the intention of being two separate works that could be coupled together to make one full album with a cohesive flow and feeling, with every song holding a specific place and feeling within the overarching theme."

Tracklist:
1) A Love Letter
2) Throw Your Phone in the River
3) The Tie
4) But They Respect My Tactics
5) Not My Fault
6) Lost Grip
7) The Desperate Search for an Enemy
8) Unresponsive

Lineup:
Jesse Matthewson - vocals, guitar, synth, percussion
Shane Matthewson - drums, percusion
Skot Hamilton - bass, backing vocals, percussion
Kathryn Kerr - saxophone, synth, piano, backing vocals
Natanielle Felicitas - cello on "Unresponsive" 

Production:
Recorded and mixed by Andrew Schneider
Mastered by Carl Saff
Artwork and layout by Randy Ortiz
Photo of KEN mode by Brenna Faris

Discography:
NULL (Artoffact Records, 2022)
Loved (Season of Mist, 2018)
Nerve EP (Reptilian, 2016)
Success (Season of Mist, 2015)
Entrench (Season of Mist, 2013)
Venerable (Profound Lore/Init/Throatruiner, 2011)
Mennonite (Arctodus/No List, 2008)
Reprisal (Escape Artist/No List, 2006)
Mongrel (Escape Artist, 2003)

Tour – KEN mode, Vile Creature, Mares of Thrace:
Sep 23 - Winnipeg, MB, CA @ The Good Will Social Club
Sep 24 - Saskatoon, SK, CA @ Amigos Cantina
Sep 25 - Calgary, AB, CA @ Palomino Smokehouse
Sep 26 - Edmonton, AB, CA @ Starlite Room Temple

Tour – KEN mode, Frail Body:
Oct 20 - St Paul, MN @ Turf Club
Oct 21 - Davenport, IA @ Raccoon Motel
Oct 22 - Chicago, IL @ Beat Kitchen
Oct 23 - Indianapolis, IN @ Black Circle Brewing Co.
Oct 24 - Columbus, OH @ Big Room Bar
Oct 25 - Nashville, TN @ DRKMTTR
Oct 26 - Little Rock, AR @ Vino's
Oct 27 - Oklahoma City, OK @ 89th Street
Oct 28 - Austin, TX @ The Lost Well
Oct 29 - Houston, TX @ Black Magic
Oct 30 - Denton, TX @ No Coast Fest
Oct 31 - New Orleans, LA @ Gasa Gasa
Nov 2 - Atlanta, GA @ The Earl
Nov 3 - Charlotte, NC @ Snug Harbor
Nov 4 - Philadelphia, PA @ Silk City
Nov 5 - Brooklyn, NY @ Saint Vitus
Nov 6 - Cambridge, MA @ Middle East
Nov 7 - Montreal, QC @ Turbo Haus
Nov 8 - Toronto, ON @ The Baby G
Nov 9 - Detroit, MI @ Sanctuary
Nov 10 - Milwaukee, WI @ Cactus Club
Nov 12 - Fargo, ND @ The Aquarium

https://ken-mode.com/

Tuesday, June 7, 2022

THE BEARER - "Let It Burn"


THE BEARER: metallic hardcore rippers break ties with religion on new single "Let It Burn"

Austin, Texas band The Bearer has revealed new single "Let It Burn," from its upcoming new album, Chained to a Tree. The metallic hardcore unit's first full-length, Chained to a Tree will be released July 1st on Silent Pendulum Records.



From the album's first note through its last, The Bearer barrels forth, possessed by the same fiery spirit that once burned inside the likes of Converge and Botch. Like those bands, The Bearer's brand of hardcore punk is wildly emotional yet supremely structured. A fine balance of chaos and control, songs careen on the brink of derailment but the speeding train always stays on the track.

Drummer Colton Siegmund is one of that rare breed of singing drummers – to which Code Orange's Jami Morgan also belongs – who can scream with throat-scouring conviction whilst pounding the drums like a boss.

Siegmund gives this statement about the new single: “‘Let It Burn’ details my thoughts of the church after spending five years of my life in it, constantly being taken advantage of and eventually abandoned. I was at one point a youth leader, a worship leader and a sound tech, all while not being compensated. When I let it be known that I could no longer spend my time doing so for free, I was offered an unpaid internship. I left the church that day and none of the leaders ever reached out to or spoke to me again. This is just one example of a time when organized religion hurt me and this song is me letting that part of my life burn."

Chained to a Tree was engineered and mixed by Andrew Hernandez (Mammoth Grinder, This Will Destroy You). The artwork was created by Alexandre Goulet (All Out War, Despised Icon).

Photo by Zach Brigham-Delude