GNAW - Barking Orders

Sleeping Giant Glossolalia presents the January 31st release of Barking Orders, the new EP by Gnaw.

SGG is renowned for releasing challenging music from across genres and from around the nation (and beyond). The label is by no means limited to its hometown of New York but, that said, it has been releasing some of NYC's grimiest output as of late – music that waves the flag for the city's darkest corners and most nefarious characters. Following releases by New Yorkers such as Nastie Band and Couch Slut, Gnaw's Barking Orders is the next great slab of music to embody all the potential horror the city has to offer.

With three full-length albums released in the past 10 years, Gnaw has made a name for icy sounds, an avant mixture of metal and noise elements, exploring the extreme depths of existence. Of the new EP, Barking Orders, vocalist Alan Dubin states: "These four songs are based around decay... The world, cities, the mind and body, all falling apart. Kill or be killed, or wither alone."

Barking Orders kicks off with an absolutely electrifying cover of Einsturzende Neubauten's 1981 song "Kollaps." In Gnaw's hands the song marches forward unstoppably, like a plague advancing across a landscape. Dubin's urgent shrieks (honed through decades of next-level screaming as the frontman for Khanate and OLD) lead the way: "Collapse! Our wandering destroys the cities! Our wandering destroys the cities!"

From there, the EP melts into what Dubin calls, "noisy, experimental, electronic songs." Standout "Rid the City" is nearly 9 minutes of nonstop tension, featuring Dubin's whispers, falsetto cries and screams, inspired by the 1977 Son of Sam murders. Perhaps better than any other band of today, Gnaw is able to conjure the paranoia of that particular chapter of NYC history.

Stream the horrific animated video for "Rid the City," created by multi-media artist The Deletist, exclusively via Revolver, here: 

https://www.revolvermag.com/music/ex-khanate-singer-faces-son-sam-see-gnaws-creepy-new-animated-video

UK magazine The Wire has championed Gnaw as "unsettling but vital listening" which "raises goosebumps, instills despair, and suggests fruitful future paths for metal in the process." A Pitchfork review warns: "actual destruction seems just beyond the door."

The band's current lineup consists of Dubin, Carter Thornton (Enos Slaughter), Brian Beatrice, Dana Schechter (Insect Ark, Angels of Light, Swans), Robin Fowler (Pants Exploder, Drownyard), and Adam Morosky (Time Ghost). Founding member Jun Mizumachi (Ike Yard), while no longer touring, is still a contributing member.

Barking Orders was mixed by Gnaw's Brian Beatrice at Haven Vault, NYC, and mastered by James Plotkin at Plotkinworks (Jesu, Merzbow).

The artwork was created by Dax Van Alten; layout, by Sébastien Hayez.

Tracklist:
1) Kollaps
2) Cry Louder
3) Rid the City
4) Then the Sunrise

Discography:
Barking Orders (Sleeping Giant Glossolalia, 2020)
Cutting Pieces (Translation Loss, 2017)
Horrible Chamber (Seventh Rule Recordings, 2013)
This Face (Conspiracy Records, 2009)

Photo by Adam Morosky

SPECTRES - Nostalgia

SPECTRES: Vancouver post-punk revivalists reach great new heights on Artoffact Records debut

Artoffact Records announces the March 13th release of Nostalgia, the new album by SPECTRES.

Founded in Vancouver in 2005 by vocalist Brian Gustavson, SPECTRES is commonly cited as one of the bands responsible for kicking off the renewed interest in the post-punk sound in Canada.

Inspired initially by the original UK anarcho-punk bands of the late '70s and early '80s, SPECTRES mixes the ethics of that scene with the stylings of post-punk and an incredible knack for writing catchy songs. Though rooted in sounds of confrontation and ire, SPECTRES has evolved to where they make absolutely glorious songs that will convert listeners on both ends of the punk/new wave spectrum. As a review on CVLT Nation put it, the band is "firmly rooted in punk, but it weaves dreamy melodies into the angst and frustration."

Guitarist Zach Batalden states: "The band was started as a way to creatively explore 1980’s British anarcho-punk, and while creatively we have drifted in new directions this core influence still holds a lot of inspiration for us. Bands like The Mob, Crisis, Crass and Zounds are all still very important for us. From there we took a deep interest in '80s post-punk and new wave, with bands like The Sound, The Chameleons, Theatre of Hate, and Modern English, central to the way our sound has developed. For the new album, Nostalgia, we were listening to a lot of Flying Nun bands like The Bats, The Verlaines, and The Clean as well."

On Nostalgia, Gustavson's gorgeous melodic vocals cruise over chiming guitars and tense beats. His lyrics explore the alienation of modern life and the search for hope in an increasingly terrifying world. "Deepening political partisanship, aging, and finding one's own way through alienating times are common themes on the Nostalgia LP," says Batalden.

Nostalgia was produced by ACTORS frontman Jason Corbett at Jacknife Sound in Vancouver. It follows three independent albums (all reissued by Artoffact Records in 2019).  

SPECTRES has toured Canada, the US and Europe, and will embark on a West Coast US tour in March.

"Firmly rooted in punk, but it weaves dreamy melodies into the angst and frustration..."
–CVLT Nation

"Steadily, confidently, and compassionately, Vancouver's dark dreamers are bringing their vision for the future into sharper focus."
–I Die:You Die

Tracklist:
1) The Head and the Heart
2) Dreams
3) When Possessed Pray
4) Pictures from Occupied Europe
5) Years of Lead
6) Fate
7) Insurgence
8) The Call
9) Along the Waterfront

Lineup:
Brian Gustavson - vocals
Zach Batalden - guitar
Mitch Allen - drums
Adam Mitchell - guitar
Jason Renix - bass

Discography:
Last Days, 2009 (reissued by Artoffact Records in 2019)
Split w/ Arctic Flowers, 2010, Man In Decline Records
Nothing to Nowhere, 2012 (reissued by Artoffact Records in 2019)
Utopia, 2016 (reissued by Artoffact Records in 2019)
Provincial Wake 7", 2017, Sabotage Records
Nostalgia, 2020, Artoffact Records

Tour:
Mar 6 - Portland, OR @ Blackwater Bar
Mar 7 - Oakland, CA @ First Church of the Buzzard
Mar 8 - Los Angeles, CA @ Part Time Punks
Mar 10 - San Diego, CA @ The Whistle Stop
Mar 11 - Los Angeles, CA @ The Rec Room
Mar 12 - San Francisco, CA @ The Eagle
Mar 13 - Chico, CA @ Naked Lounge
Mar 14 - Portland, OR @ Lovecraft

"Northern Towns" music video, from the 2017 "Provincial Wake" 7":
https://www.youtube.com/watch?v=7uq5B8WzZLc

Band photo by Lindsay Wallace
Cover art by Ryan Kostel

SOLO ANSAMBLIS - Olos

SOLO ANSAMBLIS: Lithuanian innovators mix anthemic techno and moody post-punk on Artoffact Records debut

Artoffact Records announces the February 21st release of Olos, the new album by Lithuanian band Solo Ansamblis.

From Vilnius, Lithuania, Solo Ansamblis describes its sound with the understated tag of "sad dance" – in fact, it is a unique and intense mix of styles, falling somewhere between stadium-sized EDM and moody post-punk. Using a combination of live instruments and electronic elements, the quartet conjures thumping energy and monotone melancholy, masterfully playing with the tension between these two extremes. Anthemic one minute, mournful the next, Solo Ansamblis' music references Kraftwerk, Joy Division, Underworld, The Knife, and much more.

"Of course, huge influences are embedded in us from childhood," the band members state collectively. "From The Beatles and Pink Floyd, to Lithuanian underground rap music of the '90s. Now we listen to all kinds of music, from synth pop to Indian ragga, from techno to ambient."

With all lyrics sung in its native language, Solo Ansamblis is an important new voice in an emerging Lithuanian scene which the band members describe as "vibrant and alive." The band exploded onto the Baltic scene in 2016 with its debut album, Roboxai, spawning several singles including "Moteris," the video for which is nearing one million views on YouTube. The upcoming Olos is the band's second album.

Solo Ansamblis shines in the live setting. With 3/4 of the lineup also working as actors in theater and film, it is no surprise their shows are spectacles of sight and sound. Hometown shows have become a go-to event, and the band is making waves across Europe’s festival circuit (Tallinn Music Week, Eurosonic, Reeperbahn, and more.)

Olos was recorded at the band's own studio in downtown Vilnius, then mixed by Andrius Kauklys of the band Happyendless. The cover artwork is an intricate pencil drawing by Lena Klyukina.

Tracklist:
1) Intro
2) Fosforinis Baseinas
3) Baloje
4) Piligrimai II
5) Neturejom Dainos
6) Bydermejeris
7) Oro Balionu
8) Netildai
9) Nepabust

Lineup:
Jonas Šarkus - vocals, synths
Vytautas Leistrumas - synths, vocals, bass guitar
Giedrius Kiela - guitar, bass guitar
Sergejus Ivanovas - drums

Discography:
Roboxai, 2016
RBX (EP), 2017
Dansingas (EP), 2018
Olos, 2020

Band photo by Laura Vanseviciene

BODY STUFF - "On the Run"

"On the Run," the third single from Body Stuff's upcoming EP, Body Stuff 3, is out now.

Stream the single and pre-order the new EP, here:
https://bodystuff.bandcamp.com/track/on-the-run

Stream the song on Spotify, Apple Music, and other major platforms, here:
https://ffm.to/bodystuff

Body Stuff's Curran Reynolds says: "'On the Run' is a Christmas song, of sorts. I am not a Christian, but I like the tradition of rock bands recording Christmas songs. For me it goes back at least to 'A Very Special Christmas,' with U2 and Madonna and the Keith Haring artwork. But what really sparked 'On the Run' was Jeffrey Lee Pierce's lyric in 'The Lie' about scoring drugs on Christmas Day. It's that wonderful and terrible sense of being utterly out of step with the world. In 'On the Run' I am singing about isolation versus connection; individualism versus the collective. The hero of the song is a self-proclaimed outsider who has discovered that perhaps there is no outside or inside at all. The world's a grain of sand and he's everywhere, he's everything."

Body Stuff streamed a demo version of "On the Run" in December 2017 and Metal Injection called it: "Eerie, intoxicating, and artful... This might actually be one of the best Christmas songs I've ever heard."

Guest vocals on the song are by Polly Watson and Al Huckabee of New York power-pop band 1-800-BAND.

Body Stuff is the duo of Curran Reynolds and Ryan Jones. Reynolds, the songwriter and vocalist, began the project in the early part of this decade, when both he and Jones were members of Today Is The Day. Body Stuff 3 will be released January 10, 2020, via The Chain, the multi-faceted company co-founded by Reynolds in 2016. It is the third in a trilogy of EPs: the self-titled Body Stuff (2013), Body Stuff 2 (2016), and Body Stuff 3 (2020).

Reviews of the first two EPs singled out a few aspects of the Body Stuff sound. On the surface, there were crooning vocals, simple hooks, and an earnest spirit, nodding to the rousing rock songs that filled late-‘80s FM radio dials. Underneath, something heavier: programmed drums and thick guitars conjured industrial-metal power. And deeper in the mix was a dreamlike ambience that evoked the places the music was conceived – namely, the streets of New York City and a lake in rural Maine.

Featuring the most highly developed music the duo has created so far, Body Stuff 3 consists of five new anthems that take the Body Stuff style to the next level. The EP was recorded and mixed by Jones and Reynolds at Jones’ studio, Growlhouse, in Queens, NY, and mastered by Brad Boatright at Audiosiege (Torche, Full of Hell).

Upcoming shows:
Dec 27 - Brooklyn, NY @ Gold Sounds (w/ Plaque Marks)

More info: 
http://thechainworld.blogspot.com/2019/10/body-stuff-body-stuff-3.html

Artwork by Curran Reynolds
Band photo by Justina Villanueva

DEAF CLUB + MetalSucks

"...a disgustingly sick projectile of punk entropy..." - MetalSucks
Watch the video for "Days of Amusement Are Over", a track off of the band's recent EP, via MetalSucks, here.

Deaf Club is a savage sound bath dripping with sardonicism: a blastbeat-centric hardcore punk assault channeling crust, thrash, and grind (un)sensibilities. Succinct  pauses, surreal frequencies and effects, breakneck pace and sharply hurled vocals characterize the band’s aesthetic, which seems as though it is rooted in a sort of nasty-sound-meets-highbrow-message ethos. Fueled by the onslaught of society’s insanity and driven mad by tinnitus, Justin Pearson (The Locust, Dead Cross, Planet B), Brian Amalfitano (ACxDC), Scott Osment (Weak Flesh), Jason Klein (Run With The Hunted), and Leo Ulfelder (Fissure) approach music as an opportunity to confront our collective sicknesses. We’ve got to try to listen, lest we all frolic headfirst towards the bright side of death, dragging this pillaged planet down with us. So whether you think the music is a radical disruption to the airwaves or just headache-inducing noise, you can feel free to tell them the brutal truth-- they can't hear you anyway.

The Contemporary Sickness EP was released October 4th digitally as well as on limited edition, specially printed vinyl through Three One G Records. Mixed and mastered by Brent Asbury (who has worked on albums by bands like Retox, Panicker, Dead Cross, Planet B). Vinyl/cover art by Jesse Draxler (who has done artwork for Nine Inch Nails, Daughters, The New York Times, Dita Eyewear, and MCQ Alexander McQueen, among others). Layout and design by Bran Black Moon. Order the EP, here.

Video by Rogelio Lopez and Alexandre Lopez.

The video for “Days of Amusement Are Over” is comprised of live footage of a set from one of Deaf Clubs’ recent record release shows, taking place in Los Angeles at The Factory DTLA.

Contemporary Sickness EP:

1. Boyfriends of Christ

2. Bright Side of Death

3. Lofi Mono Tombstone 

4. Bounced Reality Check

5. Days of Amusement Are Over

DEAF CLUB Facebook

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FLIEGE + Decibel

Decibel has premiered the title track off Fliege's debut full-length, The Invisible Seam.

Stream the song, here:
https://www.decibelmagazine.com/2019/12/02/track-premiere-fliege-the-invisible-seam/

Decibel has championed Fliege since discovering its self-titled, 2017 demo, a homage to David Cronenberg's The Fly. Decibel called those six, Jeff Goldblum-ridden songs, "infectious," and proclaimed: "Every once in a while, a band comes along, transgresses all genre boundaries, and cuts a demo that stands as a genuine demonstration of a singular sound."

With the upcoming The Invisible Seam, slated for a January 31st release, the Brooklyn band has graduated from The Fly to more serious cinema: Ingmar Bergman's existential 1957 masterpiece, The Seventh Seal. Guitarist/vocalist Coleman Bentley states: "Our demo tackled The Fly, but we soon realized we had to expand from that universe in order to have anything new to say. So for this one, we chose Bergman’s The Seventh Seal, the story of a Swedish knight returning home from the Crusades to find his homeland ravaged by the plague... Within the framework of that film, we tackle the nihilism of modern life and the paradox of depression – not wanting to live but not actively wanting to die."

Title track "The Invisible Seam" is an anthemic, mid-paced crusher that possesses all the disparate elements of Fliege's singular sound. Blackened screams and '80s heavy metal riffage are propelled by industrialized drum programming, then laced with the kind of melancholy that points to post-hardcore roots. It is a collision of styles that might seem jumbled if it were not delivered so convincingly, and with such hooks.

In discussing the new album, Bentley has referenced Immortal, Nine Inch Nails, Judas Priest, Cloud Rat, and John Carpenter, among others. The Invisible Seam is all that and more. An epic endeavor, in sound and in concept, it is an example of a band transcending its own beginnings to become something awesome.

More info:
http://thechainworld.blogspot.com/2019/11/fliege-invisible-seam.html

Photo by Chris Palermo

BODY STUFF - "Spies"

"Spies," the second single from Body Stuff's upcoming EP, Body Stuff 3, is out now.

Stream the single and pre-order the new EP, here:
https://bodystuff.bandcamp.com/

Stream the song on Spotify, Apple Music, and other major platforms, here:
https://ffm.to/bodystuff

Body Stuff's Curran Reynolds says, "'Spies' is one of my favorites. It's a song about how the whole world is your home. This theme has run through all three Body Stuff EPs."

Body Stuff is the duo of Curran Reynolds and Ryan Jones. Reynolds, the songwriter and vocalist, began the project in the early part of this decade, when both he and Jones were members of Today Is The Day.

Body Stuff 3 will be released January 10, 2020, via The Chain, the multi-faceted company co-founded by Reynolds in 2016. It is the third in a trilogy of EPs: the self-titled Body Stuff (2013), Body Stuff 2 (2016), and Body Stuff 3 (2020).

Reviews of the first two EPs singled out a few aspects of the Body Stuff sound. On the surface, there were crooning vocals, simple hooks, and an earnest spirit, nodding to the rousing rock songs that filled late-‘80s FM radio dials. Underneath, something heavier: programmed drums and thick guitars conjured industrial-metal power. And deeper in the mix was a dreamlike ambience that evoked the places the music was conceived – namely, the streets of New York City (the debut EP) and a lake in rural Maine (Body Stuff 2).

Featuring the most highly developed music the duo has created so far, Body Stuff 3 consists of five, intense, radiant anthems that take the Body Stuff style to the next level. The EP was recorded and mixed by Jones and Reynolds at Jones’ studio, Growlhouse, in Queens, NY, and mastered by Brad Boatright at Audiosiege (Torche, Full of Hell).

The "Spies" single artwork was created by Curran Reynolds and Brandon Gallagher.

Upcoming shows:
Dec 6 - Queens, NY @ H0L0 (w/ Aeviterne, Cement Mind, Trace Amount)
Dec 27 - Brooklyn, NY @ Gold Sounds (w/ Plaque Marks, Crushed, Nerveshatter)

More info: http://thechainworld.blogspot.com/2019/10/body-stuff-body-stuff-3.html

Band photo by Justina Villanueva

OvO - Miasma

Artoffact Records announces the worldwide February 7th release of Miasma, the ninth album by groundbreaking Italian duo OvO.

Stream new track "Mary Die" and pre-order Miasma, here:

https://ovomusic.bandcamp.com/album/miasma

Celebrating its 20th anniversary in 2020 – with over 1,000 shows played, nine studio albums released, and a slew of splits and live recordings – OvO is a singular force in the underground. With a mix of electronic and acoustic instruments, founding members Stefania Pedretti and Bruno Dorella take influence from the likes of Swans and Diamanda Galas, pounding out a theatrical and harrowing mix of what Stereogum has described as "music – rhythmic noise, really – owing equal debts to extreme metal, noise rock, industrial music, and dark electronica." Pitchfork has compared Pedretti's vocals to Yoko Ono, and Decibel Magazine has hailed the band's sound as “a David Lynch dance party.” 

Always on tour, OvO's fiercely independent ethos and grinding live schedule have earned the band a rep as "the Jucifer of Europe," with a worldwide fanbase expecting nothing but the most daring and innovative music. OvO has performed at festivals on nearly every continent, and has toured extensively with the likes of Lightning Bolt and Zu.

Embarking now on its worldwide deal with Artoffact Records, at the dawn of its 20th anniversary, OvO presents a thrilling new piece of work: ninth full-length, Miasma. 

Featuring guest appearances by members of Årabrot, The Soft Moon, Gnučči, and more, Miasma sees OvO continue down its path, mixing tribalism and futurism by way of radical cross-contaminations of sounds, rhythms, and genres.

As with previous albums Abisso and Creatura, the Miasma writing process began with loops and patterns that Dorella proposed to Pedretti. Along with beats bashed out on his minimal drum kit, Dorella teamed up with friends to create samples – collaborators included Eraldo Bernocchi (Sigillum S), a034, Ripit, Paolo Bandera (Sigillum S), and Matteo Vallicelli (The Soft Moon). Pedretti then chose her favorites, restructured where necessary, and played and sang over them.

Dorella offers this statement about the album:

"A contagious miasma, coming from the most remote swamps, is surrounding cities and villages. It can be an alien disease, like in a sci-fi movie, or it can be some deeper fear caused by whoever wants to control us, like in real life. Freaks, queers and outsiders will be the first ones to realize and fight it. But still: expect mutations. We are trying to represent how close science-fiction and reality are nowadays, and how close to us the miasma really is..."

Miasma was recorded by Ivano Giovedì and Franco Beat at secret locations across rural Italy. The album was mixed by Giulio "Ragno" Favero and mastered by Andrea De Bernardi.

The cover art was created by London-based tattoo artist Michele Servadio.

A full European tour beings in February.

Tracklist:
1) Mary Die
2) You Living Lie
3) Queer Fight
4) Testing My Poise (featuring Gnučči)
5) Psora
6) Lue
7) L'Eremita (featuring Årabrot)
8) Sicosi
9) Incubo
10) Burn de Haus (featuring Gabriele Lepera of Holiday Inn)
11) Miasma

Lineup:
Stefania Pedretti - vocals, guitar, synth
Bruno Dorella - percussion, samples, synth

Tour:
Feb 13 - Bologna, IT @ Freakout Club
Feb 14 - Pescara, IT @ Scum
Feb 15 - Roma, IT @ Klang
Feb 22 - Busto Arsizio, IT @ Circolo Gagarin
Mar 6 - Torino, IT @ Blah Blah
Mar 8 - Toulouse, IT @ Les Pavillons Sauvages
Mar 10 - Nantes, FR @ La Scène Michelet
Mar 11 - Bruxelles, BE @ Magasin 4
Mar 13 - Freiburg, DE @ Slow Club
Mar 16 - Berlin, DE @ Schokoladen
Mar 17 - Gdansk, PL @ B90
Mar 20 - Linz, AT @ Kapu
Mar 21 - Ljublijana, SI @ Klub Gromka

Discography:
Miasma (2020, Artoffact)
Creatura (2016, DioDrone)

Abisso (2013, Supernatural Cat)
Cor Cordium (2011, Supernatural Cat)
CroceVia (2008, Load)
Miastenia (2006, Load)
Cicatrici (2004, Bar La Muerte)
Vae Victis (2002, Bar La Muerte)
Assassine (2001, Bar La Muerte)

Facebook: https://www.facebook.com/ovochannel/
Instagram: https://www.instagram.com/ovochannel/
Bandcamp: https://ovomusic.bandcamp.com/
Spotify: https://open.spotify.com/artist/4DBspZAitax26H5f7ay6zg

Photo of OvO, by Erica Schneider

FLIEGE - The Invisible Seam

From Brooklyn, New York, Fliege announces the January 31st release of its debut full-length album, The Invisible Seam.

Founded in 2016, Fliege began as an inside joke – a metal band based solely upon David Cronenberg's 1986 remake of The Fly. The duo of Coleman Bentley and Peter Rittweger wrote and recorded Fliege's self-titled demo for a laugh, but seeping through the absurdity was greatness. Decibel called the six, Jeff Goldblum-ridden songs, "infectious," and proclaimed: "Every once in a while, a band comes along, transgresses all genre boundaries, and cuts a demo that stands as a genuine demonstration of a singular sound."

Bentley and Rittweger's self-appointed tags, like "blackened hair metal," adequately described some of the early Fliege tracks, but there was more to the story, even from the start. On the demo, blackened screams and '80s metal riffage are propelled by industrialized drum programming, then laced with the kind of melancholy that points to post-hardcore roots. It is a collision of styles that might seem jumbled if it were not delivered so convincingly, and with such hooks.

With the upcoming The Invisible Seam, Fliege has graduated from The Fly to more serious cinema: Ingmar Bergman's existential 1957 masterpiece, The Seventh Seal. Bentley states: "Our demo tackled The Fly, but we soon realized we had to expand from that universe in order to have anything new to say. So for this one, we chose Bergman’s The Seventh Seal, the story of a Swedish knight returning home from the Crusades to find his homeland ravaged by the plague. He challenges Death to a game of chess, staving off his advances long enough to make it home one last time – questioning mortality, the meaning of life, and the existence of God, while trekking across a dying countryside. Within the framework of that film, we tackle the nihilism of modern life and the paradox of depression – not wanting to live but not actively wanting to die."

Musically, the album soars beyond its predecessor. The Invisible Seam sees the debut of third Fliege member Chris Palermo on synth. It also sees Bentley's clean vocals take a more central role. Every aspect has been turbo-boosted: the heavy is heavier; the heartfelt, more heartfelt; the grandeur, grander. In discussing the musical direction, Bentley references Immortal, Nine Inch Nails, Judas Priest, Cloud Rat, and John Carpenter, among others. The Invisible Seam is all that and more. An epic endeavor, in sound and in concept, it is an example of a band transcending its own beginnings to become something awesome.

Tracklist:
1) My Flesh is Afraid (But I Am Not)
2) Four Suns
3) A Confession
4) March of Whips
5) Love Plague
6) The Invisible Seam
7) Blood of the Earth
8) Die Raval
9) The Censer
10) A Light in the Black Pane

Lineup:
Coleman Bentley - guitars, clean vocals, drum programming, samples
Peter Rittweger - vocals
Chris Palermo - synths

Recorded by Coleman Bentley, Nikhil Kamineni and Gabriel Espinosa at various locations
Mixed by Gabriel Espinosa at WinterBeast, Portland, OR
Mastered by Brad Boatright at AudioSiege, Portland, OR
Cover art by Nathan Clark Bentley
Photos by Chris Palermo

https://facebook.com/fliegeband/
https://instagram.com/fliegeband/
https://twitter.com/fliegeband

BAD LOOKS + BrooklynVegan

"EP II packs a lot into just four songs — pummeling stoner sludge, flashy classic rock licks, mile-a-minute hardcore, soaring alt-rock hooks, and more — and the whole thing makes for a very fun listen.”

- BrooklynVegan

Stream Bad Looks' "EP II" in its entirety, via BrooklynVegan, here.

Bad Looks was founded in Los Angeles, CA in 2017 by vocalist/guitarist Alessandro Pulisci (At Our Heels) and drummer Denny Connolly, and was shortly thereafter cemented with the addition of bassist/vocalist Lafayette Kartchner. The trio released their first self-titled EP in 2018. More recently, Bad Looks contributed a track from this debut EP to the soundtrack of 2019 horror film, Bliss, which also features the likes of Doomriders and Electric Wizard, among others. The band plays heavy punk with a rock and roll swagger in the vein of Mutoid Man, Metz, Every Time I Die, and Queens of the Stone Age.

At its core, EP II focuses on themes of post-modern existential dread and social media’s influence on culture, and musically sees the band expanding their horizons into more melodic and simultaneously ferocious territory.

EP II will be released digitally on November 15th. Preorder, here.

EP II:

1. A Wolf Knocks Once

2. Algorithm & Blues

3. Earthquake Season

4. Fuck God & Cum Hard

Out today: MARTIN BISI - Solstice

Martin Bisi's new solo album, Solstice, is out today on Bronson Recordings.

Listen and buy, here:
https://martin-bisi.bandcamp.com/album/solstice

"Legendary NYC producer."
–BrooklynVegan

"Heavy, in the abstract sense of the word... Full of creative freedom..."
–CVLT Nation

"A music producer who helped launch Whitney Houston's career and win Herbie Hancock a Grammy... Martin Bisi is a Brooklyn pioneer who brought avant garde hip hop and indie rock production into Gowanus in the 1980s and has been creating music there ever since."
–Patch

Solstice is the new solo album by the prolific Martin Bisi – musician, engineer/producer (Sonic Youth, Iggy Pop, Swans, Bill Laswell, Helmet, Herbie Hancock, Fab Five Freddy, John Zorn, the list goes on...) and all-around champion of the avant-garde in NYC and beyond.

On Solstice, his first new solo album in five years, dense layers of sound combine in cacophonous and electrifying ways – operatic vocals, viola, and synth writhe around above throbbing post-punk undercurrents.

The album is split between "Summer Solstice" and "Winter Solstice" sides. "I started thinking about solstices, visiting Norway in the early summer, where the power of the summer solstice is more pronounced than in New York," says Bisi.

European tour begins Nov 13... followed by the official record release show, Dec 21 at Saint Vitus, Brooklyn, NY!

Nov 13 - Prague, CZ @ Underdogs

Nov 14 - Zurich, CH @ Kontiki

Nov 15 - Busto Arsizio, IT @ Circolo Gagarin w/ White Hills

Nov 16 - Geneva, CH @ Urgence Disk

Nov 17 - Ancona, IT @ Circolo Reasonanz w/ White Hills

Nov 18 - Zero Branco, IT @ Altroquando

Nov 20 - Verzuolo, IT @ Oxygen Recording Studios

Nov 21-22 - Ravenna, IT @ Transmissions Festival

Nov 24 - Innsbruck, AT @ Sillwerk

Nov 25 - Amsterdam, NL @ OCCII w/ Live Skull

Nov 26 - Berlin, DE @ Urban Spree w/ White Hills, Live Skull

Nov 28 - Hamburg, DE @ Schute

Nov 30 - Rotterdam, NL @ Roodhapje

Dec 2 - Brussels, BE @ Magasin 4 w/ White Hills

Dec 21 - Brooklyn, NY @ Saint Vitus (album release show)

Photo by Joan Hacker

Out today: LIVE SKULL - Saturday Night Massacre

Live Skull's new album Saturday Night Massacre – its first new album in 30 years – is out now on Bronson Recordings.

Listen and buy, here: 
https://liveskull.bandcamp.com/album/saturday-night-massacre

"The first new album in 30 years from these noise rock pioneers... positively rips."
–Bandcamp Daily

"[Saturday Night Massacre] sees Live Skull embracing their gothy side, which works well with frontman Mark C‘s more seasoned voice. And despite a bit of a warmer sound, Live Skull haven’t let up on the intensity one bit."
–BrooklynVegan

"A likeable swagger, solid tunes... the sense that this Reagan era band have reawoken to an all too familiar political climate. Live Skull have recaptured some of the scuzzy energy that powered them back in day, which is more than can be said for some of their contemporaries."
–The Wire

"'Saturday Night Massacre' would be a lesser record if it only wanted to evoke memories, of Downtown and of the band’s past excellence. The happy news for folks who still love those mid-1980s Live Skull records is that this new LP is pretty good, and it wants to move the band’s sound forward... In our current conjuncture of virtual vapidity and superficial renditions of 'edgy' affect, Live Skull’s new record, thick with real feeling, is a welcome event."

–Dusted

"Iconic New York City-based band Live Skull who, along with Sonic Youth and Swans, defined the term 'noise rock' in the ’80s, have reformed... The punchy and restless 'Nova Police,' a potent track taken from the new album, features Thalia Zedek harmonizing with Mark C. amid chugging bass line rhythms, emphatic drum strikes, and burnished, angular guitar churn."
–The Big Takeover

"'Saturday Night Massacre' seems to be an album-length diatribe about the current political climate. The narrative voice provided by vocalist and founding member Mark C isn’t based in youthful outrage, but instead in a 'with-age-comes-wisdom' sense of knowingness... Musically, the approach has also been streamlined. In the past, Live Skull might have been lumped together with Sonic Youth, but this album might be the closest they’ve ever come to really sounding like them..."
–Burning Ambulance

Together with Sonic Youth and Swans, Live Skull defined post-No Wave NYC rock in the '80s. Its sound was influenced by British post-punk – Joy Division, Public Image Limited – but was located squarely in the depths of Downtown Manhattan. Dual guitars chimed and slashed; basslines drove; drums pounded and hypnotized; male and female vocals intertwined to conjure serial-killer imagery to match the intensity of real life in '80s Gotham.

The first new album since 1989, Saturday Night Massacre is an astounding comeback – gentle, ominous, hard-edged, all at once. "The reanimated crypt of Live Skull spawns a new brood of cheerful tunes sure to make your blood boil," frontman Mark C invites.

Live Skull tours Europe this month and plays an official record release show, Nov 29th at Saint Vitus, Brooklyn, NY!

Nov 17 - Groningen, NL @ Vera w/ Jon Spencer
Nov 18 - Rotterdam, NL @ Rotown w/ Jon Spencer
Nov 21 - Ravenna, IT @ Transmissions Festival
Nov 22 - Ravenna, IT @ Transmissions Festival
Nov 24 - Lille, FR @ La Malterie
Nov 25 - Amsterdam, NL @ OCCII
Nov 26 - Berlin, DE @ Urban Spree w/ White Hills
Nov 29 - Brooklyn, NY @ Saint Vitus (album release show)

Photo by Kirsten Thoen