KÆLAN MIKLA - Draumadís video, European tour

Kælan Mikla kicks off 2019 with a new music video and a European tour.

Stream the new video, for the song "Draumadís," here:
https://www.cvltnation.com/watch-the-dark-fantasy-video-of-kaelan-miklas-draumadis/

Video director Logi Hilmarsson states: “Kaelan Mikla have a very clear vision of their image and a ton of fun ideas that can be incorporated into videos. I tried to keep up with them and bring some of my concepts to create a short surreal narrative set in a place where occult rituals are used as technology and human sacrifice has unusual results. It is a dark fantasy, stylistically inspired by ’60s and ’70s Italian Horror, but really I think it is mostly a comedy.”

"Draumadís" appears on the band's acclaimed Nótt eftir nótt album, released in November on Artoffact Records.

Buy the album, here:
https://kaelanmikla.bandcamp.com/album/n-tt-eftir-n-tt

From Reykjavik, Iceland, Kælan Mikla is being hailed as one of the most exciting new prospects in the post-punk scene, marrying raw punk energy, thumping beats, and fairy-tale darkness. The band wowed the world in 2018 with slots on Iceland Airwaves, The Cure's 40th anniversary show, and Roadburn Festival, and a European tour supporting King Dude. A headlining European tour with Some Ember starts tonight in Berlin.

Kælan Mikla, Some Ember:
Jan 30 - Berlin, DE @ Urban Spree
Jan 31 - Malmo, SE @ Plan B
Feb 1 - Gothenburg, SE @ Musikens Hus
Feb 2 - Stockholm, SE @ Kraken
Feb 3 - Copenhagen, DK @ Hotel Cecil
Feb 4 - Hamburg, DE @ Rote Flora
Feb 5 - Cologne, DE @ Blue Shell
Feb 7 - Linz, AT @ Kapu
Feb 9 - Milan, IT @ Cox18
Feb 10 - Lyon, FR @ Sonic
Feb 11 - Barcelona, SP @ Meteoro
Feb 12 - Madrid, SP @ Wurlitzer Ballroom
Feb 13 - Bilbao, SP @ Kutxa Beltza
Feb 14 - Bordeaux, FR @ L'Avant Scene
Feb 15 - Paris, FR @ Black Star
Feb 16 - Brussels, BE @ Magasin 4
Feb 17 - Bristol, UK @ The Crofters Rights
Feb 19 - London, UK @ Electrowerkz
Feb 20 - Lille, FR @ La Malterie
Feb 21 - Metz, FR @ La Douche Froide
Feb 22 - Bremgarten, CH @ KuZeB
Feb 23 - Mannheim, DE @ Schatten uber Mannheim
Feb 24 - Munich, DE @ Milla Club
Feb 25 - Bratislava, SK @ Kulturak Klub
Feb 26 - Budapest, HU @ Robot
Feb 27 - Vienna, AT @ Kramladen
Mar 1 - Krakow, PL @ Klub RE
Mar 2 - Oslo, NO @ by:Larm Festival

"Theirs is a world where sweeping eerie soundscapes, irresistible post-punk hooks and dance beats couple with angelic voices and blood-curdling shrieks."
–Revolver

"Nótt eftir nótt' blends the mystical and euphoric with cold, hard synth and icy darkwave vibes; it's a digital ice sculpture, wrought in slick 'Blade Runner' tones and breathy, eerie vocals." 
–Noisey

"Ethereal synths and wailing vocals burn like a warm invocation."
–Post-Punk

Photo by Verdi Ljos

SKRYPTOR - Luminous Volumes

SKRYPTOR: CRAW, DAZZLING KILLMEN, STATS MEMBERS TEAM UP IN NEW NYC TRIO; DEBUT ALBUM PRE-ORDER LAUNCHED, TEASER VIDEO POSTED

Skryptor – a new NYC trio featuring members of craw, Dazzling Killmen, and STATS – announces its debut album, Luminous Volumes. 

A joint venture between renowned labels Skin Graft, Sleeping Giant Glossolalia, and Aqualamb, Luminous Volumes will be released March 29th in vinyl, CD, and digital formats, along with a deluxe, illustrated, 200-page book featuring original horror stories curated by Skryptor bassist David McClelland.

Watch a teaser video, containing short audio clips from the album, here:
https://www.youtube.com/watch?v=xh7yh1bab-M

Pre-order the album, here:
https://skryptor.bandcamp.com/album/luminous-volumes

Meditative one moment and furious the next, Luminous Volumes is the work of learned veterans with a holistic command of loud-rock techniques. Black Sabbath’s hazy stomp; the ecstatic modal improvisation of Mahavishnu Orchestra; the leering bass lurch that haunts the Touch & Go Records catalog; the cerebral bite of New York City’s contemporary metal underground: Skryptor jigsaws all these and more into wordless songs that feel both familiar and strange at once, as though remembered from a dream.

Skryptor's roots stretch back to the early '90s post-hardcore underground. Cleveland's craw and St. Louis’ Dazzling Killmen, two of the more advanced and unusual bands of the era, struck up a friendship and occasionally shared the stage. Of craw, a Pitchfork review states: "Post-hardcore, technical metal, math rock, and experimental noise all flow together under a hazy smog of something that resembles jazz." A Dangerous Minds article describes Dazzling Killmen with these words: "Cathartic and discordant guitar stabs, a jaw-dropping rhythm section, arrangements of baroque complexity, and a harrowing, overbearing, inescapable sense of pure dread."

David McClelland and Tim Garrigan – guitarists in craw and the Killmen, respectively – reconnected when both found themselves living in New York in the early 2000s. In Skryptor, they join up with one of their biggest admirers and strongest supporters, Hank Shteamer – drummer for bands such as STATS and Aa, senior editor at Rolling Stone, and an avid fan of McClelland's and Garrigan's since his teenage years in St. Louis. A 2015 craw box set, spearheaded by Shteamer and co-released by Aqualamb, led to two reunion gigs, which in turn became the direct impetus for Skryptor: “When craw powered up again, I realized I had come to some sort of peace with the idea of making music as an endless process, and began stockpiling musical ideas. That led in a pretty natural way to Skryptor,” says McClelland.

Shteamer and McClelland set about writing together, with McClelland on bass for the first time in his musical career. In need of a third instrumental voice, they approached Garrigan – he agreed to join and the nascent band immediately dove into writing its debut. "They had some good riffs/arrangements of some things, and gave me room to add and stretch out parts," explains Garrigan. "I eventually contributed more writing/arrangement wise."

Debut album Luminous Volumes was recorded and mixed by Colin Marston (Dysrhythmia, Kelly Moran) and mastered by Carl Saff (KEN mode, Young Widows). The results range from the muscular, kinetic prog-punk of "Red Mountain" and the wild synchronized shredding of "Raga" to the gentle atmospherics of epic album closer "Summer Blossoms." Fans of the members' prior bands will recognize a similar brand of gritty intensity and brainy intricacy in Skryptor, coupled with a new focus on concision, power and improvisational depth.

“There are definitely still times at band practice when I look around and kind of can't believe I'm actually in the room with these two guys,” enthuses Shteamer. “I was only just beginning to play drums around the time I first heard those bands, and the musicianship involved in [craw and Dazzling Killmen] just seemed superhuman. I only really came to appreciate classic rock and such later, so these bands were like my Zeppelin and Beatles.”

Luminous Volumes' companion book fits in to Aqualamb's ongoing series – the Brooklyn label has made its name by publishing a meticulously designed, softbound book as the official physical format for each of its musical releases. An illustrated collection of short stories, penned by McClelland and other authors, Luminous Volumes comprises surreal and supernatural tales of bloodthirsty mermaids, deceptive twins, trench warfare, and more.

Luminous Volumes tracklist:
1) Raga
2) Lotus and Mace
3) The Orchard, pt. 1
4) Mystification
5) Red Mountain
6) The Orchard, pt. 2
7) Summer Blossoms

Luminous Volumes stories:
"Master of Ceremony" by Sean Madigan Hoen
"Dry Cleaning" by David McClelland, with illustrations by Fritz Welch
"The Sound of the Bridge" by Tom Newton, with illustrations by Sarah Austensen Wilson
"Memories" by William A. Turley, with illustrations by Guno Park
"Brendan Ryan's Rocket Car" by David McClelland, with illustrations by Jimi Sakai
"Brights" by Chaunceton Bird
"Stork" by Jeremy Johnston
"Slaughterhouse Vision" by Maria Gabriele Baker, with illustrations by Paul Nitsche
"For Your Kindness, For Your Buttons" by Ian Caskey
"Brothers" by David McClelland
"Surfin' Turf" by Sarah Blank
"God of Thunder" by Sean Madigan Hoen
"Asylum" by Benjamin Smart

Skryptor lineup:
Tim Garrigan - guitar, keyboards
David McClelland - bass, keyboards
Hank Shteamer- drums

Band photo by Millie Benson

Cover art by David McClelland

Press release, written in collaboration with Doug Moore

ANEURYSM - "Sorry Dad"

"Ten tracks of high-energy, punked-out noise-rock recorded at GodCity by Deafheaven bassist Chris Johnson, 'Awareness' will certainly put Aneurysm on the map."
–Decibel

"Boston rock combo pummels with chaos and melody..."
–No Echo

"Raw and rampaging debut album 'Awareness'... sludgy, yet emotionally spiked."
–The Big Takeover

One week ahead of the February 1st release of Aneurysm's sophomore full-length, Awareness, Decibel has debuted the album's opening track, "Sorry Dad."

Stream it, here:
https://www.decibelmagazine.com/2019/01/25/track-premiere-aneurysm-sorry-dad/

Recorded at GodCity Studio in Salem, MA, by Chris Johnson (bassist of Deafheaven and Doomriders), Awareness is ten tracks' worth of swaggering, melodic, noise-rock that charges forward through the same sewers as Nirvana, Unsane, and Turbonegro. 

Burly drums and distorted bass pound out frantic punk rock rhythms, as dual guitars weave ragged blankets of noisy melody. Vocalist Michael McGee (who spent much of the '00s fronting noise-core blasters the_Network) snarls, screams and croons, with lyrics that are raw and poetic – world-weary reflections on sex, drugs, cops, death, and rock n' roll.

Awareness was mastered by Will Killingsworth (The Body, Magrudergrind). The artwork and layout were created by Mark McCoy, whose work has graced the covers of albums by Pig Destroyer and Full of Hell.

The album's release is a joint effort between Tor Johnson Records (vinyl), Constant Disappointment Records (vinyl and CD), and Suspended Soul Records (cassette).

Pre-order exclusive "crown yellow" color vinyl:
https://bit.ly/2GmHxML

Pre-order exclusive "creamsicle" color vinyl and CD:
http://constantdisappointment.com

Aneurysm, on tour:
Feb 1 - Florence, MA @ 13th Floor Lounge
Feb 2 - Brooklyn, NY @ Brooklyn Bazaar
Feb 3 - Richmond, VA @ VSC
Feb 4 - Asheville, NC @ Static Age
Feb 5 - Nashville, TN @ Drkmttr
Feb 7 - Baton Rouge, LA @ Mid City Ballroom
Feb 8 - Austin, TX @ Beerland
Feb 9 - Houston, TX @ house show 
Feb 10 - Arlington, TX @ Division Brewery
Feb 11 - Memphis, TN @ Hi-Tone
Feb 12 - Atlanta, GA @ 529
Feb 13 - Raleigh, NC @ Slim's
Feb 16 - Waterbury, CT @ Brooklyn Cafe
Feb 17 - Providence, RI @ Dusk

Photo by Tyler Hallet

SIGILS - You Built the Altar, You Lit the Leaves

"For fans of Pallbearer, Yob... Long Island, New York, quartet Sigils make highly emotional doom full of soaring vocals, melancholy guitars, and lyrics about witchcraft and ghosts... 'You Built the Altar, You Lit the Leaves' draws on [vocalist Salvatore Rex's] experiences as a queer person coming of age in the often hyper-masculine and actively unwelcoming world of metal and hardcore, and his efforts to come to terms with his feeling of otherness."
–Revolver

Sigils announces the March 22nd release date of its debut album, You Built the Altar, You Lit the Leaves.

Stream the video for first single "Faceless," here:
https://www.revolvermag.com/music/fans-pallbearer-yob-hear-sigils-haunting-doom-epic-faceless

An extraordinary debut, You Built the Altar, You Lit the Leaves introduces this Long Island, New York band to the world via 36 minutes of doom that will chill spines and bring tears to eyes.

From opener "Samhain" to closer "The Wicked, The Cloaked," You Built the Altar, You Lit the Leaves is a slow-motion storm of haunting melodies, creeping across lonesome landscapes, powered by metallic muscle – the spirit of Black Sabbath and Godspeed You! Black Emperor, by way of the hardcore scene from which guitarist Tom Colello comes as an ex-member of Shai Hulud and Hollow Earth. 

Mournful and glistening, Sigils' sound crushes as vocalist Salvatore Rex presides over the ceremonies with a voice that soars like the child of Ozzy and Michael Stipe. Rex makes this statement about his occult-heavy lyrics:

"A lot of these songs are about my process of discovering ritual as a part of my day to day experience. There’s a lot about the concept of witchcraft, the history of women who were persecuted and murdered for their nonconformity. And a little bit of awe in these old practices, rotes, rituals, and smells. It’s all oddly healing, in a way."

Rex, who for years has made folk music under his own name, describes the path by which he arrived at Sigils:

"Writing about these historically persecuted people came out of me thinking critically about the feeling of otherness. Growing up as a queer kid and going to metal shows, it was not the most welcoming environment. It was a culture that praised masculinity above all else. The women who dared to go to metal shows were frequently harassed and belittled. I never met anyone who didn’t identify as straight who hung around very long. When I was 21 I went to some little local metal show; I can’t even remember who was playing. I remember watching one of the bands when some guy who was quite well known around these parts walked up to me, called me a faggot, punched me in the face and spit on me. No one did a thing. I swore off the whole thing for a long time. After I met Tom Colello and we became as close as we have, I decided to rethink my hiatus from a scene I felt thoroughly rejected by. We had lots of talks about my experiences with homophobia in that world. We started writing this music with the idea that it would be private, for us. Then, after getting to know more people involved in this scene I thought it was far more important for me to be here, to be a person that even one weird, scared kid can look at and say, 'well, if there’s someone else like me here, maybe I deserve to be here too.' I don’t think I’m going to change metal music. It was just important for me to reclaim something I love, on my terms."

You Built the Altar, You Lit the Leaves was recorded and mixed by the band in Massapequa Park, New York, in a house that has been in the Colello family for four generations. The album was mastered by Alan Douches at West West Side Music (Converge, Mastodon, Kurt Vile).

You Built the Altar, You Lit the Leaves will be available on vinyl, cassette, and digital. Pre-order, here:

https://sigilsdoom.bandcamp.com/

Tracklist:

1) Samhain
2) Ritual
3) Faceless
4) The Wicked, The Cloaked

Lineup:
Salvatore Rex - guitar, vocals
Tom Colello - guitar, vocals
Adam Hunter - bass
Mike Costa - drums

Cover art, by David Catalano

Band photo, by Jon Greco

MOON TOOTH + Mark Morton

Moon Tooth will hit the road in March to support Lamb of God guitarist Mark Morton and Light the Torch (ex-Killswitch Engage) on a tour of the US and Canada. 

Moon Tooth’s sophomore album Crux is set for a March 29th release on Modern Static Records, featuring pre-production work by Morton himself and Machine (King Crimson, Every Time I Die). Moon Tooth's unmistakable vibe flourishes on Crux: soaring vocals, fleet-fingered axe-slaying, and muscular rhythms (and polyrhythms) combine into glorious, hard-rocking hymns. 

Mark Morton, Light the Torch, Moon Tooth:
Mar 13 - Richmond, VA @ The Broadberry
Mar 14 - Philadelphia, PA @ Underground Arts
Mar 15 - Toronto, ON @ Lee's Palace
Mar 16 - Montreal, QC @ L'Astral
Mar 18 - Boston, MA @ Brighton Music Hall
Mar 19 - New York, NY @ Gramercy Theatre
Mar 21 - Chicago, IL @ Bottom Lounge
Mar 23 - Colorado Springs, CO @ Black Sheep
Mar 25 - West Hollywood, CA @ Roxy Theatre
Mar 26 - Phoenix, AZ @ Club Red

Stream new single "Trust," here:
https://www.youtube.com/watch?v=WCmV5LM_smk

Photo by Anthony Barone

ANEURYSM - "Newport"

"Boston-based punk/noise rock band Aneurysm have announced the upcoming release of their raw and rampaging debut album 'Awareness'... The Big Takeover is supremely psyched to host the premiere of 'Newport,' a sludgy, yet emotionally spiked cut..."
–The Big Takeover

Aneurysm have unveiled new track "Newport" today via The Big Takeover.

Stream it, here:
http://bigtakeover.com/news/SongPremiereNewportbyAneurysm

"Newport" appears on debut full-length Awareness, out February 1st. Recorded at GodCity Studio in Salem, MA, by Chris Johnson (bassist of Deafheaven and Doomriders), Awareness is ten tracks' worth of swaggering, melodic, noise-rock that charges forward through the same sewers as Nirvana, Unsane, and Turbonegro. 

Burly drums and distorted bass pound out frantic punk rock rhythms, as dual guitars weave ragged blankets of noisy melody. Vocalist Michael McGee (who spent much of the '00s fronting noise-core blasters the_Network) snarls, screams and croons, with lyrics that are raw and poetic – world-weary reflections on sex, drugs, cops, death, and rock n' roll.

Awareness was mastered by Will Killingsworth (The Body, Magrudergrind). The artwork and layout were created by Mark McCoy,whose work has graced the covers of albums by Pig Destroyer and Full of Hell.

The album's release is a joint effort between Tor Johnson Records (vinyl), Constant Disappointment Records (vinyl and CD), and Suspended Soul Records (cassette).

Pre-order exclusive "crown yellow" color vinyl:
https://bit.ly/2GmHxML

Pre-order exclusive "creamsicle" color vinyl and CD: 
http://constantdisappointment.com

Aneurysm, on tour:
Feb 1 - Florence, MA @ 13th Floor Lounge
Feb 2 - Brooklyn, NY @ Brooklyn Bazaar
Feb 4 - Asheville, NC @ Static Age
Feb 5 - Nashville, TN @ Drkmttr
Feb 8 - Austin, TX @ Beerland
Feb 10 - Arlington, TX @ Division Brewery
Feb 11 - Memphis, TN @ Hi-Tone
Feb 12 - Atlanta, GA @ 529
Feb 13 - Raleigh, NC @ Slim's
Feb 16 - Waterbury, CT @ Brooklyn Cafe
Feb 17 - Providence, RI @ The Dusk

Photo by Tyler Hallet

MOON TOOTH - Crux

MOON TOOTH ANNOUNCES SOPHOMORE ALBUM "CRUX"; FIRST SINGLE STREAMING; ALBUM PRE-ORDER LAUNCHED

"Metallicized hard rock so enticing we’re convinced it emits pheromones... Visceral harmonies, punkish verve, funkish boogie, throbbing aggression, and arena-rock-worthy hooks."
–MetalSucks

Moon Tooth announces the March 29th release of sophomore album Crux on Modern Static Records.

Stream the album's first single, "Trust," here:
http://www.metalsucks.net/2019/01/16/exclusive-track-premiere-moon-tooths-trust/

Pre-order the album, here:
https://moontoothny.bandcamp.com/album/crux

From Long Island, New York, Moon Tooth set the bar high with their 2016 debut full-length, Chromaparagon – a fusion of rock, metal, and blues, that bursted with color. Drawing comparisons to Mastodon, Gojira, and Living Colour, Chromaparagon's aggressive, progressive sound possessed a soulfulness and swing that set it apart from the pack. Premier Guitar described the album with these words: “Unbridled turbulence. Dexterous metal riffing. Soulful vocals over layers of melodies and shifting rhythms... An epic journey through countless sonic realms."

In the wake of that fiery debut, the next three years saw Moon Tooth amass over 1 million Spotify streams, and play their 400th show by way of tours with Intronaut, Fit For An Autopsy, Astronoid, and more.

2019: the band now gears up for its next chapter. With pre-production handled by the dream team of Machine (King Crimson, Every Time I Die) and Lamb of God's Mark Morton, and production by Moon Tooth drummer Ray Marté, sophomore album Crux harnesses Moon Tooth's formidable musicianship into its strongest material to date. 

With chops as lethal as those wielded by Moon Tooth's four members – Marté, guitarist Nick Lee, bassist Vincent Romanelli, and vocalist John Carbone – many a band would fall prey to the lure of the jazz odyssey, but Moon Tooth proves its greatness by channeling its skills into concise, crankable anthems. The musical ground covered within just 3-5 minutes on Crux is astonishing, yet the band never loses sight of the big picture. The tech never overshadows the songcraft; Moon Tooth shred like assassins, but only in service of the songs. The result: Crux is an album that belongs equally to the passerby on the street and the musician practicing scales. 

Moon Tooth's unmistakable vibe flourishes on Crux: soaring vocals, fleet-fingered axe-slaying, and muscular rhythms (and polyrhythms) combine into glorious, hard-rocking hymns. Crux shows a deep respect for classic rock and heavy metal – Led Zeppelin, Aerosmith, Rush, and Judas Priest are starting points from which the band zooms into outer space, leaving a trail of vivid, heavy, modern rock. Marté's production, boosted by Machine's and Morton's input, puts a world-class shine on the sound, resulting in a feast of metallic crunch and ear-melting hooks.

Crux delivers on all of Moon Tooth's early promise and will send this band hurtling forward along its path. Frontman John Carbone's lyrics address this very situation – reaching the crossroads of a normal life and an artist's life, and choosing to commit to the latter. He explains: "This album is about not giving up. It's about the furious hope that brings fighters back to their feet again and again. Having answered the call to adventure, having grappled with what will surely be only the first set of trials, having sacrificed and lost so much, 'Crux' finds the band at a tipping point. There is nothing left but for the old life to die and the new, true life to begin."

Moon Tooth, live:
Jan 22 - Brooklyn, NY @ Saint Vitus Bar

Tracklist:
1) Trust
2) Omega Days
3) Through Ash
4) Musketeers
5) Thorns
6) Rhythm and Roar
7) Motionless in Sky
8) Thumb Spike
9) Awe at All Angles
10) Crux
11) Raise a Light (Epilogue)

Lineup:
John Carbone - vocals
Nick Lee - guitar
Vincent Romanelli - bass
Ray Marté - drums

Production:
Engineered, mixed, and mastered by Ray Marté at Westfall Recording Company, Farmdale, NY
Pre-production by Machine, Mark Morton, and Moon Tooth

Discography:
Crux (2019, Modern Static Records)
Chromaparagon (2016, self-released)
Freaks EP (2013, self-released)

Cover art, by Paul Motisi

Photos of Moon Tooth, by Anthony Barone

Video Premiere: EGRETS ON ERGOT + Post-Punk

"Los Angeles based experimental art-punk group Egrets On Ergot reveal their turbulent cover of The Normal’s classic Mute Records track “T.V. O.D.”—a song featured on Daniel Miller’s inaugural label and artist single release—along with “Warm Leatherette”. Both songs were groundbreaking classics in minimal synth, taken inspiration from the J.G. Ballard novel Crash."
–Post-Punk

The new Egrets on Ergot video, "T.V. O.D.," premieres today via Post-Punk:
https://www.post-punk.com/egrets-on-ergot-drop-the-video-for-their-cover-of-the-normals-t-v-o-d/

Egrets on Ergot are totally merciless LA underground mainstays erring on the more caustic edge of the post-punk spectrum, and their saxy, serrated polemics are a classic Angeleno addendum to Bat Cave-era Britain.

Video is directed by Jenny Nirgends, a multi-media artist and filmmaker from LA.

This cover, along with an original track, will be available soon on X-RAY flexi disc 7″ with Blank City Records, as well as digitally via Bandcamp.

Photo by Jessica Moncrief

CULT AND CULTURE feat. MICHAEL MALARKEY + BrooklynVegan

Episode ten of Planet B's Cult and Culture podcast, featuring Michael Malarkey, is available now to stream via Brooklyn Vegan:

www.brooklynvegan.com/justin-pearson-taps-actormusician-michael-malarkey-for-new-podcast-ep-listen/

Michael Malarkey (Vampire Diaries, Project Blue Book) is a vampire, an agent, a husband, a father, a musician, an actor, and above all, a humble human like any other. On the heels of his role in History Channel’s newest drama, Project Blue Book, Michael discusses with Justin Pearson (Dead Cross, The Locust, Retox) and Luke Henshaw (Planet B, Sonido de la Frontera) the significance of and value in that which is seemingly unexplainable. Using the show’s non-fiction premise of government investigations, cover ups, and ufology as a starting point, the trio talk about the bigger picture: society’s willingness to stifle that which we don’t fully understand, contributing to its collective close-mindedness.

Project Blue Book, the new drama series “based on the true, top-secret investigations into Unidentified Flying Objects (UFOs) and related phenomena conducted by the United States Air Force from 1952 to 1969″ that also stars Aidan Gillen (The Wire, Games of Thrones, Bohemian Rhapsody), premiered last week and episode two comes out this week (1/15). New episodes air every Tuesday at 10/9c. 

Catch up on all episodes of Cult and Culture podcast, via iTunes, here, or through Three One G’s Soundcloud, here.

Advertisement designed by The Black Moon Design.