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Thursday, September 25, 2025

THE GRASSHOPPER LIES HEAVY - HEAVY



THE GRASSHOPPER LIES HEAVY: Texas shapeshifters go HEAVY on aptly titled new album on Learning Curve Records

From San Antonio, Texas, The Grasshopper Lies Heavy announces the November 14th release of its new album, HEAVY, on Learning Curve Records.

The first single, "We Are All the Antichrist," featuring guest vocals by Crow Lotus of the band Capra, is out now. 

Stream the official "We Are All the Antichrist" music video, here: https://www.youtube.com/watch?v=vKfr2DHn-q0

Pre-order the album, here: https://thegrasshopperliesheavy.bandcamp.com/album/heavy-2

"We Are All the Antichrist" blitzes forward with a serpentine riff, time signature transforming perpetually, before landing finally in a bed of euphoric chugging. Sludgy and fiery, the song rocks like Mastodon at its hardest and contains one of the best rhymes of the year: "Decompose with your bros." 
The song's second half is crowned by the unmistakable vocals of Capra's Crow Lotus. "Her performance pushes this song over the edge in the best way," says TGLH founder and frontman, James Woodard. "Raw, intense, and exactly what it needed."

All eight tracks on HEAVY rage forth with the same weight and momentum as the lead single. 
As the title suggests, HEAVY is heavy. A newcomer might assume that the brand of math-rock-meets-sludge-core on display here is the band's one and only trick, but the reality is more complex. TGLH is a shapeshifter and HEAVY is one specific milestone in a winding career.

A journey through the back catalog reveals an adventurous project, operating on two fronts. "TGLH has always been a band with two sides; one side, this super heavy thing and the other side, more cinematic or post-rock," states Woodard, TGLH's sole constant member, who began making work under the TGLH banner in 2009 and has since enlisted an extensive cast of musicians to help him execute his visions – including a slew of music released and shows played with the likes of Chat Pile, Metz, and Yob. 


Entirely instrumental albums such as 2014's All Sadness, Grinning Into Flow and 2017's Cavern – the soundtrack to a short film, created with the help of Bob Catlin (Pigface, Psychic TV) – saw Woodard exploring meditative, ambient realms. ("Movies, and their soundtracks, are a huge inspiration for me," says Woodard. "I collect them and have easily over 1,000 movies. It’s a sickness.") Simultaneously, a crushing, metallic sound was being honed and Woodard eventually introduced his vocals into the mix, a direction exemplified by 2021's A Cult That Worships a God of Death. 

Now, with HEAVY, Woodard – backed by the ace musicianship of guitarist James Cameron Taylor, bassist Oscar Moreno, and drummers Steven Barrera and Luke Zachary Mitchell – has chosen to commit fully to his metallic tendencies. With power and finesse, Woodard and his cronies rock relentlessly and keep the adrenaline in the red.

"TGLH has always presided between two worlds," states Woodard. "One, where we strive to be as heavy as possible, using the power of The Riff, destructively percussive rhythms, dissonance, aggression, and extreme levels of distortion and feedback, to create music that strives to overwhelm the senses. The other, a more somber and delicate approach, strives to create emotive music that lifts the listener and propels them on a journey inward. This album, HEAVY, as its title unsubtly suggests, is firmly rooted in the former... HEAVY is the most uniformly heavy record that we have created to date."

He elaborates: "I really wanted to challenge myself on this album. Some of the songs are the most difficult songs to perform, I’ve ever written in this band. They’re also a love letter to my inspirations. You’ll hear Sepultura and Napalm Death homages on this record, if you are familiar with their stuff and listen closely."

For a man whose past musical output has been largely instrumental, Woodard has a lot to say on HEAVY. Songs such as "We Are All the Antichrist" paint pictures of existential horror, applicable to both the personal and political realms. "A recurring theme throughout our stuff is the decline of America," he says. "The cruelty of the system and the apathy that it breeds." Fittingly, the band's name comes from the pages of the Philip K. Dick classic, The Man in the High Castle, a work of alternative history wherein the Axis Powers won the Second World War.

While HEAVY represents a new pinnacle of heaviness in this project's long unfolding story, Woodard lets it be known that TGLH is still a multi-faceted beast with at least two sides to its personality: "If you miss the introspective, cinematic side of things, well, you'll just have to wait for the next album," he says.

Tracklist:
1) Human Claymore
2) Lyrics are Hard
3) We Are All the Antichrist
4) Tallow Man
5) Cure 1997
6) Cubicle Man
7) Labyrinth
8) Maze

Lineup:
James Woodard - guitar, vocals
James Cameron Taylor - guitar
Oscar Moreno - bass
Steven Barrera - drums
Luke Zachary Mitchell - drums

Live:
Sep 20 - San Antonio, TX @ The Lonesome Rose (w/ Cherubs)
Nov 23 - San Antonio, TX @ The Lonesome Rose (HEAVY album release show)

Photo by Oscar Moreno

Cover art by Linda Arredondo

Monday, September 22, 2025

TRACE AMOUNT - FLAGRANT


 

TRACE AMOUNT: industrial dynamo reveals details of sophomore album FLAGRANT; new single "Clinical" (ft. Lana Del Rabies) streaming now with live video

From Brooklyn, New York, one-man industrial dynamo Trace Amount announces the November 14th release of sophomore album FLAGRANT.

FLAGRANT was tracked at Corpus Studios in Queens, New York with Harlan Steed of Show Me The Body, produced and mixed by Trace Amount, and mastered by Kris Lapke (Cold Cave, Prurient).

The album will be released on Bleakhouse, the label founded by industrial-hardcore powerhouse King Yosef.

New single "Clinical," featuring guest vocals by Lana Del Rabies, is streaming now. The official "Clinical" music video consists of live Trace Amount footage shot on tour in Mexico City this month, as well as actual live soundboard audio from that show. Stream the video, here: https://www.youtube.com/watch?v=f5gQVRRsyBc

Pre-order FLAGRANT, here: https://bleakhouse.co/collections/all/trace-amount

First conceived in 2019, Trace Amount is the creative outlet of vocalist, drummer, producer, and visual artist Brandon Gallagher. The project took shape during the early stages of the COVID pandemic, inspired by the grim realities of life in New York City at that time, and has evolved at a lightning pace ever since. Revolver Magazine has described it in these words: “Trace Amount is the one-man project of Brooklyn's Brandon Gallagher, a prolific musician and visual artist… In just a few years, he's already unloaded a wealth of harsh, confrontational industrial material under the Trace Amount moniker... Glitchy vocals, pounding drums, screechy noise soundscapes and a pummeling atmosphere." BrooklynVegan meanwhile has labelled it as "the exact middle ground between The Downward Spiral and the death industrial/power electronics scene."

Developing Trace Amount at a relentless pace over the past six years, by way of singles, EPs, remixes, and one full-length album (2022's Anti Body Language), Gallagher has grabbed influence from anywhere he pleases, and collaborated with whomever he chooses. Ungoverned by typical rules of style or methodology, answering to no one, Gallagher has used Trace Amount as a free space in which to express himself. He states: "Through the nature of collaboration with various artists, the overall sound has dipped into different sub genres – whether that's EBM, darkwave, post-punk, drone, or power electronics. There is definitely a dub influence, inspired in part by Mick Harris' work in Scorn, and I am always subconsciously influenced by hip-hop production because that's 80% of what I actually listen to on a daily basis."

Furthermore, Gallagher happily admits the influence of sports and gym culture on Trace Amount. Live photos of Gallagher reveal a man often clad in hockey, soccer, and basketball jerseys. "With the threat of civil war or another global virus," he says, "yeah, you should probably be able to run a mile and then lift yourself up over a fence, because who knows what the fuck is going to happen. My music is designed to be your gym soundtrack."

Despite the wide-open artistic mindset at its core, the Trace Amount sound seems to grow only more suffocating with each release. Trace Amount's portal-to-hell-in-the-basement aesthetic has been in place from the very start and, as Gallagher hones his craft on each successive release, the airless room turns a shade darker. On sophomore album FLAGRANT, drums pound coldly and sparsely. Ambient tones surge like choirs of evil angels. Gallagher's groans and screams drip with contempt. FLAGRANT is not so much music to be appraised, but a beating, a purge, a guided tour of pure torment. 

Describing the lyrics, Gallagher says, "It all spawns from pain, whether it's personal or political. Lyrically, I've been able to create a vocabulary for Trace Amount that's based around dystopian or cyber-horror scenarios." 

"Dream of deletion / lust for erasure / anything to ease the pain," he rages on "Clinical." Lana Del Rabies' guest vocal, buried in the mix, provides that track's only glimpse of light. 

Part of what defines Trace Amount and makes the story so exceptional, is Gallagher's sheer willpower. To achieve what he has achieved in six years – the collabs, the tours, the media acclaim – is remarkable for any DIY solo project, but especially for one as utterly personal and abrasive as this. Some of the highlights of the journey thus far include: collabs with artists such as the late Blake Harrison of Pig Destroyer, Uniform vocalist Michael Berdan, Integrity mastermind Dwid Hellion, Rhys Fulber of Front Line Assembly, and Kontravoid; releases on labels such as Greg Puciato's Federal Prisoner and now King Yosef's Bleakhouse; tours of Japan, Australia, the UK, Mexico, and the US; and bills shared not only with the best of the industrial and noise scenes (Youth Code, Hide, and Dreamcrusher, to name three), but with titans of other genres too. Case in point, the Mexico City show immortalized in the "Clinical" music video was part of a tour with shoegazers A Place to Bury Strangers.

Unapologetically, Gallagher continues to grind forward and burrow deeper into the world he has been building, playing by his own rules. The title of the new album says it all. "In basketball, the most aggressive foul you can get is a flagrant foul," he explains. "Like, you're literally swinging at another player with intent. That's me. I am intentional.
 I am flagrant."

Tracklisting:
1) Restricted Area
2) Off Leash
3) Seeing God on the L Train (ft. Fatboi Sharif)
4) Clinical (ft. Lana Del Rabies)
5) Flagrant2
6) Conflict of Interest
7) Boomer Terrorism (ft. The Buttress)

Discography:
Fake Figures in the Sacred Scriptures - EP (2019, self-released)
"Obsessive Diagnosis" - single (2020, self-released)
"The Hanging Garden" (The Cure) - single (2020, self-released)
Endless Render - EP (2020, self-released)
"Concrete Catacomb" - single (2021, self-released)
Under the Skin - EP (2021, Deathbed Tapes)
Alien Dust - EP (2021, Faktor Music)
Endless Render 2.0 - EP (2021, self-released)
Anti Body Language - LP (2022, Federal Prisoner)
Simulation Fetish - EP (2024, self-released)
Simulation Fetish 2.0 - remix EP (2025, Bleakhouse)
FLAGRANT - LP (2025, Bleakhouse)

Photo by The Tinfoil Biter
Cover art by Brandon Gallagher

Friday, September 19, 2025

IN LIEU - "Hooligan"


IN LIEU: Minneapolis noise rockers reveal title track from new album Hooligan; studio video streaming now

Minneapolis rockers In Lieu have released "Hooligan," the title track from their upcoming new album.

Hooligan will be released October 24th on Learning Curve Records.

Stream the song's official music video – shot at Signaturetone Recording by engineer Adam Tucker (Thou, Primitive Man) during the recording of the album – here: https://www.youtube.com/watch?v=wIbGk2ILzmk

Pre-order the album, here: https://inlieuminneapolis.bandcamp.com/album/hooligan

From Minneapolis, Minnesota, In Lieu deals in bite-sized anthems, mixing the austerity and belligerence of noise rock with the soaring tunefulness of grunge. Fronted by vocalist/guitarist Nikii Post, the quartet crafts brief bangers out of sludgy and discordant guitars, pummeling drums, and spellbinding vocals. Post fully captivates with her desperate, throaty screams, occasionally revealing the radiant singing voice that lies behind it.

On Hooligan's title track, she bellows: "That's why they call you a hooligan / Did you get caught cutting school again? / I'm sure they all want to be your friend / 'Til you do something uncool again."

"'Hooligan' is simply a reminder that the concept of being 'cool' is always fragile," she explains.

Many bands sound like they are playing a bunch of songs they wrote and rehearsed; a select few emit something so natural and confident and cohesive and convincing, it hits more like pure communication than like songcraft. In these rare cases, the band is one united force and the music is a matter of life or death. On Hooligan, In Lieu presents itself as precisely this type of band.

"We tend to lean into our most primal feelings and our music tends to remind me of an animal backed into a corner and the only option left is to bite," says Post.

Interestingly, In Lieu began as something else entirely. A gradual evolution of style, from quiet to loud, has brought Post to where she is today. "I started the band nine years ago and wrote all the material but was never happy with a release until this new one," she states. "Hooligan is the first album I've been proud of and it took nine years of trying. I played acoustic at first but I always knew that quiet music wasn't going to cut it for me. Eventually, Houdini made me want to play the way I do now. Our main influences are Melvins, Soundgarden, and a lot of the Amphetamine Reptile bands like Cows, Jawbox, Unsane, and The Jesus Lizard."

It took nine years of searching and reinvention for Post to find her sound and, now that she has found it, In Lieu is thriving. Twin Cities music authority Racket named the quartet as one of its "Poised to Pop" bands for 2025 and the band has become a regular name on significant shows around town – in addition to Caterwaul, the festival co-founded by Learning Curve Records boss Rainer Fronz, recent bills include legends such as Scream, Soulside, and God Bullies.

Live:
Aug 30 - Minneapolis, MN @ Zhora Darling
Nov 1 - Minneapolis, MN @ Mortimer's (record release show)

Photo by Sam Bramble

Friday, September 12, 2025

SOMETHING IS WAITING - "Unholy Alliance"


SOMETHING IS WAITING: Chicago nu-rollers drop "Unholy Alliance" video from new live album Livelick

Chicago nu-rollers Something Is Waiting have released the official live version of their track "Unholy Alliance," along with a live video showing the band in action at Chicago's famed Empty Bottle.

"Unholy Alliance (Live)" is the second single off Something Is Waiting's upcoming new live album, Livelick, out October 24th on Learning Curve Records.

Stream the "Unholy Alliance" live video here: https://www.youtube.com/watch?v=auhmPOLkfSk

Pre-order Livelick, here: https://somethingiswaiting.bandcamp.com/album/livelick

Recorded at a headlining show at the Empty Bottle in Chicago in 2023, Livelick captures one entire Something Is Waiting set, start to finish, with no edits or overdubs. In an era where live content has been exponentially devalued, thanks to an endless flood of casual phone clips, Something Is Waiting has chosen to go against the grain and deliver an official, old-school live album.

Skating a line between noise rock, glam, and groove metal, Something Is Waiting is the primary purveyor of its own self-proclaimed genre, “nu roll.” The band carves its own strange path, explained accurately by The Chicago Reader with these words: "On their first few releases they focused on big, mean, chaos-bringing noise rock a la Unsane. Over the past few years, though, they’ve charted a new direction, trading in nihilistic bludgeoning for Sunset Strip swagger forged with a sonic sledgehammer of '90s metal... A bizarre hybrid of White Zombie and Guns N’ Roses, pairing high-gloss metallic guitar with [vocalist Eddie] Gobbo’s shrill, confrontational shrieks." 
Rarely does a band so strange, rock so hard.

To complicate matters further, Gobbo is a wildly creative lyricist who conjures surreal scenarios with the euphoric wordplay of a Beat poet. He gives this peek at the meaning behind the "Unholy Alliance" lyrics: "It's a song about the world and how things like money, status and convenience will turn someone you would normally not fuck with, into someone (or something) you regularly and gladly fuck with. A transactional experience. The irony is that occasionally similarities can become apparent in the process."

Initially a quintet, Something Is Waiting operates as a trio now, consisting solely of Gobbo, drummer Idin Alexzander, and guitarist William T. Fay. Livelick captures this 3-piece lineup, fully dominating in the live setting -- a lethally tight live band, replicating its album sounds faithfully and rocking with steamroller energy. Gobbo howls and prowls with utter conviction; Alexzander pounds with power and grace; Fay does the work of three musicians, using a custom live rig to create ripping lead guitar, rhythm guitar, and bass sounds.

The Livelick setlist consists of all eight songs from 2023's Absolutely album, plus one song from each of the two preceding albums – 2019's Songs from the Sally Beauty Pavilion and 2016's The Something Is Waiting Band. The live soundboard audio was mixed by engineer (and former SIW bandmate) Pete Grossmann at Bricktop Recording (Weekend Nachos, Frail Body). In addition to the audio, the entire set was immortalized on video, with video editing handled by mastering engineer Blake Bickel (Bronson Arm).

Photo by Brian Santostefano

Tuesday, September 9, 2025

HEAVY HALO - "Lost in Heaven"


HEAVY HALO: "Lost in Heaven" music video documents alt-industrial champs' US tour with Light Asylum

Heavy Halo
has released the official music video for "Lost in Heaven," a track from their acclaimed new album, Damaged Dream, out now on Silent Pendulum Records.

Stream the "Lost in Heaven" video, here: https://www.youtube.com/watch?v=AVXe9NRonDY

Buy Damaged Dream, here: https://silentpendulumrecords.com/collections/heavy-halo

Based in Brooklyn, New York, Heavy Halo creates industrialized alt-rock anthems that explore the lines between human vulnerability and electronic power. Inspired as much by the angst and melody of Smashing Pumpkins, as by the cyber-assault of Nine Inch Nails, Heavy Halo shines as a standout amidst the current wave of '90s-obsessed bands. Their tracks are marked by infectious hooks, passionate vocals, metallic guitars, and thumping dance floor beats. Revolver Magazine has praised the band's "chunky riffs and EBM-panicked beatwork" and "nihilistic yet melodic vocals," while Post-Punk.com has stated: "The ghosts of ‘90s rebellion flicker in its DNA, yet its spirit is welded to the digital age, where raw emotion fuses with cold machinery."

The "Lost in Heaven" music video consists entirely of footage from the band's recent US tour with darkwave powerhouse Light Asylum. Heavy Halo vocalist McKeever gives this statement about the song: "When you’re listless in the doldrums of life, and the numbness of ennui is setting in, another year is looking to be a long one unless you douse your world in gasoline and torch it… The resulting chaos is pure fireworks — intoxicating in their glow yet caustic to the touch. You’re riding that thin line between agony and ecstasy. You’re lost in heaven. Tour is an escape hatch from the mundane. Join us in the middle of the vortex."

Photo by Michelle Lobianco

Thursday, September 4, 2025

OvO - "Cobalto"


OvO: Italian iconoclasts beat cancer with new album Gemma; new single "Cobalto" streaming now

Iconoclastic Italian duo OvO present "Cobalto," the second single from their eleventh studio album, Gemma.

Stream "Cobalto" and read an exclusive interview with OvO, here: https://cvltnation.com/ovo-cobalto-stream-interview/

Pre-order Gemma, here: https://ovomusic.bandcamp.com/album/gemma

With well over 1,000 shows played since its formation in 2000, and a slew of recordings released, OvO is a singular force in the underground. Taking inspiration from the likes of Suicide, Swans, and Diamanda Galas, Pedretti and Dorella pound out a mix of what Stereogum has described as "music – rhythmic noise, really – owing equal debts to extreme metal, noise rock, industrial music, and dark electronica." Decibel Magazine has hailed the band's sound as “a David Lynch dance party.”

Described by OvO's Stefania Pedretti and Bruno Dorella as "a manifesto of transformation," Gemma marks the eccentric and mercurial duo's 25th year in action. It will be released October 3rd via Artoffact Records. Recorded in the wake of vocalist Pedretti's successful battles with cancer and encephalitis, the album is a masterpiece of dance-doom. The electronic and analog realms intertwine in music that exudes inhuman coldness and smoldering passion, simultaneously. Stark beats, primitive synths, sludgy guitars, and Pedretti's otherworldly vocalizations combine. Dorella states: "Our previous albums were mostly focused on the dark side... But after Stefania being on the edge of death in the last few years, we felt like focusing on birth, rebirth, nature."

Premiering the new single today, CVLT Nation reports: "It’s hard to describe OvO's sound, because they interweave so many genres seamlessly to create something that makes me feel like I’ve fallen into an abyss and landed in an earth witch’s lair. Whether it’s the thudding, buzzsaw sound of '90s industrial, or the scathing vocals, or the almost playful EBM beats and melodies that make me want to dance, these two musicians bring a weight of experience and talent to every track they record."

Oct 03 – Castiglione Delle Stiviere, IT @ Arci Dallò
Oct 04 – Milano, IT @ Arci Bellezza
Oct 11 – Firenze, IT @ CPA
Oct 24 – Modena, IT @ Kalinka Arci Dude
Oct 25 – Padova, IT @ Pedro
Nov 07 – Pesaro, IT @ Arci Artigiana
Nov 08 – Taranto, IT @ Mercato Nuovo
Nov 09 – Bologna, IT @ Improved Sequence Festival
Nov 14 – Asti, IT @ Diavolo Rosso
Nov 15 – Imperia, IT @ La Talpa E L’Orologio
Nov 27 – Paris, FR @ Les Instants Chavirès
Nov 28 – Clermont-Ferrand, FR @ Raymond
Nov 29 – Lyon, FR @ Grrrnd Zero
Nov 30 – Basel, CH @ Mental Load Agency
Dec 01 – Zurich, CH @ Boschbar
Dec 02 – Freiburg, DE @ Slow Club
Dec 03 – Kortrijk, BE @ The Pit’s
Dec 04 – Namur, BE @ Belvedere
Dec 05 – Utrecht, NL @ Moira
Dec 07 – Aalborg, DK @ 1000 Fryd
Dec 08 – Copnhagen, DK @ Rahuset
Dec 09 – Leipzig, DE @ Zxrx
Dec 10 – Berlin, DE @ Neue Zukunft
Dec 11 – Plzen, CZ @ Pod Lampou
Dec 12 – Maribor, SL @ Pekarna
Dec 13 – Wien, AT @ EKH
Dec 14 – Zagreb, HR @ Mocvara
Dec 15 – Ljubljana, SL @ Channel Zero
Dec 19 – Roma, IT @ Forte Prenestino

Photo by Annapaola Martin